阡陌‧意象 - 臺灣鄉土風情系列之繪畫創作研究
dc.contributor | 王瓊麗 | zh_TW |
dc.contributor | Wang Chiug-Li | en_US |
dc.contributor.author | 吳佳音 | zh_TW |
dc.contributor.author | Wu Chia-Yin | en_US |
dc.date.accessioned | 2020-12-10T04:24:01Z | |
dc.date.available | 2200-12-02 | |
dc.date.available | 2020-12-10T04:24:01Z | |
dc.date.issued | 2007 | |
dc.description.abstract | 本篇論文以「阡陌.意象」為主題,是以筆者對臺灣鄉村的意象作為視覺藝術創作研究之方向,透過描繪臺灣鄉村景色為出發點,從藝術史和美學的理論基礎中,探討藝術創作的可能性。 繪畫創作總計有十二幅;論文共分為五個章,各章節摘要如下: 第一章 緒論,針對本研究的主題詳述研究動機與目的,闡述個人對於臺灣鄉土的印象,並在名詞釋義中詮釋創作主題「阡陌.意象」。 第二章 創作理念與學理基礎,除了從臺灣美術史領域的探討中,了解臺灣鄉村的變遷與繪畫發展外,並從美術史的表現形式中汲取創作元素,作為創作的理論基礎。 第三章 創作內容與形式分析,則綜合前述之理論基礎,發展個人的創作形式、技法與媒材運用。 第四章 作品分析與創作歷程分析,針對筆者個別作品的探討,來延伸對於主題的論述以及視覺呈現。 第五章 結語與展望,對於作品呈現之相關問題及未來的發展方向作為省思。 | zh_TW |
dc.description.abstract | The theme of the research revolves around the countryside image. The researcher’s memories and reminiscence about the countryside of Taiwan contribute to the visual art creation of the research. By depicting the countryside landscape of Taiwan, the researcher discusses the possibility of the art creation on the basis of the art history and esthetics. The research includes five chapters, along with twelve paintings created by the researcher. The introduction to each chapter is as follows: Chapter One: The researcher states the motivation and purposes of the research. Expressing the conception of the countryside of Taiwan, and interpret the subject “countryside image” by defining the term. Chapter Two: Literature reviews are presented. By referring to the current situation of the countryside and the art history of Taiwan, the researcher looks into the changes of the countryside of Taiwan and art development. Besides, the creation elements that are used as the theoretical base for the creation are derived from those performance forms of the art history of Taiwan. Chapter Three: Based on the discussions in Chapter Two, the researcher’s individual creation forms, techniques, and the use of the media are developed. Chapter Four: Clarifying the creation theme and strengthening its visual by studying and analyzing each one of the researcher’s paintings. Chapter Five: Limitations in the research and suggestions for further research are provided. | en_US |
dc.description.sponsorship | 美術學系 | zh_TW |
dc.identifier | GN0593603016 | |
dc.identifier.uri | http://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22GN0593603016%22.& | |
dc.identifier.uri | http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/115132 | |
dc.language | 中文 | |
dc.subject | 阡陌 | zh_TW |
dc.subject | 意象 | zh_TW |
dc.subject | 鄉土 | zh_TW |
dc.subject | 風景畫 | zh_TW |
dc.subject | 繪畫創作 | zh_TW |
dc.subject | countryside | en_US |
dc.subject | image | en_US |
dc.subject | country | en_US |
dc.subject | landscape painting | en_US |
dc.subject | painting creation | en_US |
dc.title | 阡陌‧意象 - 臺灣鄉土風情系列之繪畫創作研究 | zh_TW |
dc.title | Countryside Image Research on the ”Countryside Landscape of Taiwan” Series of Works | en_US |