在隱藏與顯現之間：個體意識的多元特質─曾冠樺水墨人物畫創作論述

Abstract

本文從現在社會中自我與群體的互動關係、自我形象的呈現、以及性格的內外向特質開始著手，探討人在面對各種不同情境下，可能呈現出的多樣性質。筆者以人物的形象作為創作的題材，並將人物形體處理得邊界不清、模糊難辨，或是利用光影的投射、或色塊的遮罩，將完整的形體干擾、打散，破壞原本清晰完整形體的目的，是為了使處理後的形體能和筆者的理念相呼應，並表現出人存在於世間中那種曖昧難辨、流變多樣的狀態。 文中藉由心理學理論中對性格的論述與分析、以及社會學中對群體互動模式的理解與描述，筆者得以用更深更廣的角度，去了解各種世間互動的可能；此外，創作中加入個人的感官經驗與自我思辨，終將心中的抽象意象轉換成與之相對應的圖像化創作。除了嘗試用圖像表現自我與人際間的種種可能之外，筆者試著使用不同於以往的水墨技法，希望能將創作過程與表現內涵做出更緊密的結合，使筆者欲表現的內涵，能藉由獨特的筆觸線條與作品構成，更直觀將情境傳達到觀者的心靈感受上。

This research focus on the interaction between self andgroup, the presentation of self, and the introvert and extrovert personality to investigate the diversities that people may show in different contexts. The author took figure images as subject matters, and make those figure images vague and indistinct. Regarding the painting skills, the usage of shadow casting or color blocks masking, dispersing the intact and clear images, And the purpose of breaking the original intact images is to make the painting images connected to the author 's ideas which represents the ambiguous, varied and diverse conditions of living in this world. With the discussion and analysis about personality in psychological theories, and the description and analysis about groups interacting mode in sociology, the author uses a deeper and wider angle to understand all kinds of possibilities of interactions in the world. Moreover, personal sense experience and speculation mix into the painting process, making the abstract meanings became related images and paintings. In addition to using images to represent all kinds of personal and interpersonal possibilities, the author tried to use some pictorial skills which are different from the traditional way to achieve a close connection between the painting process and the notion of creativity. Looking forward tocombing the notion of creativity and the atmosphere of works, with the special brushwork and the form of works to the viewers intuitively and directly.