單元動態影像的複合構成在互動多媒體中之應用研究
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2007
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電腦科技的發展，使得「數位」口號充斥在你我週遭，數位書籍、數位家電、數位相機，就連馬桶也都數位化。電腦科技時代的來臨確實在改變設計創作的大環境，從數位藝術的興起，到互動多媒體的發展，數位化已深植創作的內容，甚至可說藉由電腦創作的作品，其本質就是數位產物。數位化後的作品，沒有傳統創作下影像複製後「靈光」消逝的焦慮，因「複製」已成為作品的特性，本研究將運用此一特性進行創作。
本研究藉由數位藝術之文獻探討，及回顧複製影像的歷史課題，從中了解「複製」一詞已從技術的表象，轉化到創作的精神內涵。並使用複合的形式原理應用至多媒體畫面的構成。最後，再運用多媒體互動的特性，使觀者依序觸發畫面上複合構成的每一動態影像，每一影像在開始播放時會有時間差，使其畫面呈現律動的視覺效果，一種由觀者創造的美感經驗。
The advancement of computer technology has positioned “digital” all around us--digital books, digital cameras, and even digital toilets. The advent of computer technology era is indeed changing the macro- environment for design and creation. From the rise of digital arts to the development of interactive multimedia, digitization has taken root in the contents of creations. It can even be said that computer-created works are digitized products by nature. Digitized works are free from the anxiety of having that “aura” vanish with traditional duplication of images. Because “duplication” has become the defining feature of digital works, this research shall use it to proceed with some creations. By way of examining documents about digital arts and reviewing historical issues about image duplication, this study hopes to understand how the term “duplication” has transformed from technical imagery to the inner spiritual quality of creation. The composite principles of form are then applied to the make-up of multimedia picture. Finally, by utilizing multimedia interactivity, viewers get to touch off composite dynamic images of every picture. As each image is displayed, a time difference is there to give rhythmic visual effects to the picture. Such is an esthetic experience that viewers have created.
The advancement of computer technology has positioned “digital” all around us--digital books, digital cameras, and even digital toilets. The advent of computer technology era is indeed changing the macro- environment for design and creation. From the rise of digital arts to the development of interactive multimedia, digitization has taken root in the contents of creations. It can even be said that computer-created works are digitized products by nature. Digitized works are free from the anxiety of having that “aura” vanish with traditional duplication of images. Because “duplication” has become the defining feature of digital works, this research shall use it to proceed with some creations. By way of examining documents about digital arts and reviewing historical issues about image duplication, this study hopes to understand how the term “duplication” has transformed from technical imagery to the inner spiritual quality of creation. The composite principles of form are then applied to the make-up of multimedia picture. Finally, by utilizing multimedia interactivity, viewers get to touch off composite dynamic images of every picture. As each image is displayed, a time difference is there to give rhythmic visual effects to the picture. Such is an esthetic experience that viewers have created.
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Keywords
多媒體, 數位藝術, 靈光, Multimedia, Digital Art, aura