莫札特F大調變奏曲，K. 398、C小調《幻想曲》，K. 475與C小調鋼琴奏鳴曲，K. 457之音樂分析與詮釋探討

Abstract

在沃夫岡‧莫札特（Wolfgang Amadeus Mozart, 1756-1791）鋼琴作品中，涵蓋諸多曲種，其中以變奏曲、幻想曲以及鋼琴奏鳴曲最具代表性，因此文由這三個曲種中選出莫札特F大調主題與變奏曲，K. 398（Variations in F Major on Salve tu Domine, K. 398）、Ｃ小調《幻想曲》，K. 475（Fantasy in C minor, K. 475）以及C小調鋼琴奏鳴曲，K.457（Piano Sonata in C minor, K. 457）進行研究，探討莫扎特的音樂特質在變奏曲、幻想曲和奏鳴曲中的體現，及曲中優雅風格（Galant style）、易感風格（Sentimental style）、狂飆運動（Storm and Stress）、受曼海姆樂派（Mannheim School）之影響及對位手法之運用。此書面報告共分為六章，章節內容包含莫札特生平、創作風格、鋼琴變奏曲、幻想曲及奏鳴曲概述以及作品之創作背景、音樂分析以及音樂詮釋。第一章為緒論，包括研究動機與目的及研究方法與範圍兩節。第二章為莫札特之生平、創作風格與鋼琴變奏曲、幻想曲及奏鳴曲概述。第三章為F大調主題與變奏曲，K. 398之音樂分析與詮釋。第四章為Ｃ小調《幻想曲》，K. 475之音樂分析與詮釋。第五章為Ｃ小調鋼琴奏鳴曲，K. 457之音樂分析與詮釋。第六章為結論，將本論文之研究結果做彙整並歸納。Mozart's piano compositions, encompass various genres, among them variations, fantasies, and piano sonatas are the most important. Therefore, the author selected Mozart's Variations in F Major on Salve tu Domine, K. 398, Fantasy in C minor, K. 475, and Piano Sonata in C minor, K. 457 as and research subjuct, hoping to explore Mozart's musical traits shown in these works, the Galant style, Sentimental style, Storm and Stress for example, as well as the influences of the Mannheim School. This paper is divided into six chapters. Chapter one serves as the introduction, with two sections discussing the research motivation and purpose, as well as the research methods and scope. Chapter two covers Mozart's biography, compositional style, and an overview of his piano variations, fantasies, and sonatas. Chapter three provides musical analysis and interpretation of Variations in F Major on Salve tu Domine, K. 398. Chapter four is the musical analysis and interpretation of Fantasy in C minor, K. 475. Chapter five focuses on musical analysis and interpretation of Piano Sonata in C minor, K. 457. Chapter six concludes the paper by summarizing and synthesizing the research findings.