建構‧制約－鏡像內外的真實與符號

Abstract

隨著網路與科技的發展，世界進入一個嶄新的時代。高速的資訊、消息傳遞速度，除了現實的報章與書籍，各種思想、報導、分享乃至簡單的謾罵，都可以透過各種虛擬空間傳遞，符號與文化在裡面混雜，在這之中我們看到了不同框架之間的碰撞。這讓筆者產生了興趣，試圖去了解，那些在我們眼中既定的答案、價值、對事情的看法，它的形成因素是什麼？它真的那麼完美而純粹嗎?還是它的存在，從一開始必然會受到許多外在的影響，而我們以為的「自我」，只不過是反射外部環境的一面鏡子。在現實生活中聽到那些讓你覺得確實而唯一的真理，好像本來就應該這樣的看法與決策，它真的是那麼的單一而純粹?本研究試圖探究外部框架對於自我之間的影響，把內在與外部環境做連結，建構出一種新的創作方向，並透過藝術創作的手法，結合各種象徵性的物件，融合想像與情感，把藝術家創自身的理念，把單一個體間的內在想法延伸至外部，試圖透過畫面構成一種雙向的思想空間。

第一章緒論，我們試圖解釋，自我形成的條件是什麼，影響我們自身價值觀與選擇的判斷。第二章裡我們透過文獻、書籍、時事及媒體資訊等，試圖解析「框架化」的形成與對於我們的影響，並透過各節的分析與探討，試圖解釋筆者創作之中的各種圖像構成的靈感來源。第三章以上述所提出的理論與觀點，將之納入與轉化為自身的實質創作，以實際的圖像作品呈現。第四章詳細的分析每一個系列創作主題的形式技法與畫面配置，在個別賞析每幅作品，最後結論的部分，試圖點出當代水墨創作的多樣性以及藝術家的創作思維對於創作的重要性，接納吸收西方美術特點，豐富媒材的多樣性並非為了脫離傳統，而是嘗試更好的表現創作本身。

With the development of the Internet and technology, the world has entered a new era. High-speed information and message transmission speed, in addition to real newspapers and books, all kinds of thoughts, reports, sharing and even simple verbal abuse can be transmitted through various virtual spaces. Symbols and cultures are mixed in it, and we see different frames in this. Collision between. This made the author interested, trying to understand the answers, values, and opinions that are established in our eyes. What are the forming factors? Is it really so perfect and pure? Or its existence will inevitably be affected by many external influences from the beginning, and what we think of as "self" is just a mirror reflecting the external environment. Hearing those truths that make you feel certain and unique in real life, as if you should have such views and decisions, are they really so single and pure? This research tries to explore the influence of external frameworks on the self, and put the inner Connect with the external environment to construct a new creative direction. Through artistic creation techniques, combining various symbolic objects, fusing imagination and emotions, the artist creates his own ideas, and extends the inner ideas of a single individual to the outside , Trying to form a two-way thought space through the picture.

In the introduction of the first chapter, we try to explain what are the conditions for self-formation, which influence our own judgment of values and choices. In the second chapter, we tried to analyze the formation of "framework" and its influence on us through literature, books, current affairs and media information, and through the analysis and discussion of each section,we tried to explain the various image composition in the author's creation. Source of inspiration. Chapter 3 takes the theories and viewpoints put forward above, incorporates and transforms them into their own substantive creations, and presents them as actual image works. The fourth chapter analyzes in detail the form techniques and screen configuration of each series of creative themes. In the individual appreciation of each work, the final conclusion part tries to highlight the diversity of contemporary ink and wash creation and the importance of the artist’s creative thinking to creation. Accepting and absorbing the characteristics of Western art and enriching the diversity of media is not to break away from tradition, but to try to better express the creation itself.