形似衍生應用於中國意境美學之研究

Abstract

在中國繪畫藝術中，山水畫以其深邃的意涵享有崇高的地位。其中，「文人畫」，更成為世界藝術史獨特的藝術形式之一。「意境論」結合老莊與玄學思想的多元意涵成為山水畫最重要的美學思維，在「文人畫」的體現下，更將「山水畫」的表現提升到形上的精神哲思的領域。近代中國藝術的發展，從早期導入西方創作思維進行藝術形式的變革，到將多元思維轉化並藉由探究中國書畫根本可能性的現代水墨創作。綜以觀之，除了抽象形式的轉變外，對意境美學的探究進入了更廣大的界域；進而發展出具有禪學意境的現代山水畫風格，以表現自然却隱喻超乎外在形象屬於性靈層面的昇華。運用電腦科技對表現媒材提供解構傳統形式以建構新的思維向度，將Action Script開放性程式碼中「形似衍生」、「隨機運算」、「互動性」的軟體特性應用於「師法自然」、「氣韻生動」、「虛實互致」的山水意境美學中，創作出具有數位運算美學的現代水墨新作。

In Chinese traditional art, “Landscape painting” is highly-esteemed for its profundity. “Literati Painting”, a branch of “Landscape-painting”, even has become an exclusive form of art in world history. The Conceptualism is a mixture of the thought of LaoChuang and Metaphysics, and becomes the most crucial aesthetical theory of the “Landscape Painting”. Expressed by “Literati Painting”, “Landscape-painting” has been upgraded to a more spiritual and philosophical level. From adaption of western thinking to transforming of modern wash painting, the development of contemporary Chinese art is a revolution. To take it all in all, besides evolution of the outer, “Landscape-painting” in conceptual aesthetics has come into a broader area. A modern style of “Ch`an” emerges, expressing a sublimation in spiritual phase and performing a metaphor beyond exteriors. The computer technology provides a new method to restructure the materials. With application of computer software “Action Script”, a new digital Chinese wash painting is performed by using the codes “self-similarity”, “Random Calculation” and “Interactiveness” that create an environment of “Landscape-painting” conceptual aesthetics with “Following the Nature”, “Disposition” and “Interaction of Empty and Reality”.