細川俊夫《織夢》暨自我音樂創作分析

Abstract

細川俊夫(Toshio Hosokawa, 1955-)為當今國際上最活躍的日本作曲家之一，作品頻繁於世界各地演出。自幼浸淫於大自然之中，培養其對環境聲響的敏銳觀察，長時間對日本文化、傳統藝能與宗教的深度關懷，厚實其創作之底蘊，使作品具現濃厚的日本哲思，饒富禪意。 本論文係以管弦樂作品《織夢》(Woven Dreams, 2010)作為研究主題，並藉由作品之創作背景、段落安排、樂器音色配置、音高演化與織度發展的分析研究，輔以細川俊夫對音樂與日本美學觀之論述，探討其音樂意象，最終以自我創作之分析，闡發其音樂美學對自身之影響。 Toshio Hosokawa (1955-) is one of the most famous international composers from Japan today and his pieces are frequently performed around the world. When he was young, he lived in the suburbs of Hiroshima, where brings up the perceptiveness of sound from the natural environment. His deep concern for Japanese culture, traditional art and religion over a long period of time influences his music, and makes his works represent a strong Japanese Zen philosophy. The thesis mainly discusses Hosokawa’s orchestra — Woven Dreams (2010). Through analyzing the background of creation, form, instrumentation, voice leading and texture, studying Hosokawa’s writings about music and Japanese philosophy, the thesis aims to explore his music imagery. Finally, the researcher analyses her own composition and explains how Hosokawa influenced her music idea.