連綿間的碎片—盧玟伶創作研究

Abstract

此創作研究以建構筆者心目中異托邦風景為創作核心，從連綿、無盡世界中提取獨立、零散影像碎片作為素材，並透過數位編輯處理日常生活影像，接著轉譯、結合至繪畫創作；作品中並置不同時、空的影像碎片，抽象變形、純粹色彩的幻想風景中亦能召喚真實世界的記憶。科技進步對當今藝術生態造成影響、衝擊，改變了藝術思考與製造的可能。筆者透過創作與研究，反思平面繪畫創作能以什麼樣的姿態面對、回應，期許藉由觀察、研究及創作之過程，找尋自身創作與時代環境的平衡點。本研究共五個章節。第一章「緒論」闡明研究動機與目的，說明研究方法與架構，並針對關鍵字進行釋義；第二章「文獻探討」分別以影像組構之脈絡與表現、異托邦之想像及臺灣當代異托邦風景回應筆者創作的形式、內容，梳理藝術領域中對其討論之文獻資料，並提出相關藝術家之創作展開分析和比較。第三章「創作論述」書寫作品之創作理念，歸納不同時期的創作想法及目標以回應現階段作品之呈現，並剖析畫面中內容與形式之運用；第四章「作品實踐與解析」說明創作實踐之歷程，接著進一步深入地逐件分析作品。第五章「結論」檢視筆者以創作回應論題之成效，並以個人感受出發，總結現階段創作之心得及未來期許。This research of art creation focuses on constructing the heterotopian landscape envisioned by me. The process involves extracting independent image pieces from a continuous and boundless world, digitally editing these daily images, and translating and integrating them into paintings. The works juxtapose image pieces from various times and spaces, evoking memories of the real world within abstract, deformed, and vividly colorful fantastical landscapes.Technological advancements have significantly impacted and disrupted the current art ecosystem, altering the possibilities for artistic thought and creation. Through this creative process and research, I explore how traditional painting can confront and adapt to these changes, striving to achieve a balance between personal artistic expression and the contemporary environment.This thesis is structured into five chapters. The first chapter,"Introduction," outlines the research motivation, objectives, methods, and structure, and provides definitions of keywords. The second chapter, "Literature Review," is organized into three sections: The Context and Expression of Image Composition, Imagination of Heterotopia, and Contemporary Heterotopian Landscapes in Taiwan, each of which responds to the forms and content of my work. It reviews the literature in the field of art discussing these themes and provides an analysis and comparison ofthe works of relevant artists. The third chapter,"Creative Discourse," articulates the creative concepts, summarizing the evolution of ideas and objectives across different periods in response to the current state of the artwork, and analyzes the use of content and form in the paintings. The fourth chapter, " Practice and Analysis of Artwork ," explains the process of artistic creation, followed by a deeper analysis of each work. Finally, the fifth chapter, "Conclusion," assesses the effectiveness of my creative response to the research topicand summarizes the insights gained and future directions for artistic practice.