羅伯特 舒曼《幻想曲作品十七》之樂曲分析與演奏詮釋
dc.contributor | 賈元元 | zh_TW |
dc.contributor | Edna, yuan-yuan | en_US |
dc.contributor.author | 林雪卿 | zh_TW |
dc.contributor.author | Lin, sheue-ching | en_US |
dc.date.accessioned | 2019-09-06T00:59:56Z | |
dc.date.available | 2012-8-23 | |
dc.date.available | 2019-09-06T00:59:56Z | |
dc.date.issued | 2012 | |
dc.description.abstract | 羅伯特.舒曼為浪漫樂派的作曲家之一,他主張音樂和文學結合的創作手法,其所發展出來的音樂語言相當獨到。這一篇論文筆者主要研究舒曼《幻想曲作品十七》的樂曲分析與演奏詮釋,輔以舒曼的人文背景。從音樂和文學的關係了解其創作特色,深入了解作曲家的意念,發掘演奏詮釋的獨特性。 | zh_TW |
dc.description.abstract | As one of the composers from Romantic period, Robert Schumann amazingly advocate the compositional devices to combine music with literature. In this thesis, I am doing a relevant research of composer's cultural background, a thorough music analysis, and also sharing my point of view in interpreting《Schumann Fantasy opus 17》. Herewith the above effort, I hope that it is helpful to understand the composer's mind, realize the music characteristic through the relation between music and literature, and explore the uniqueness of the interpretation. | en_US |
dc.description.sponsorship | 音樂學系 | zh_TW |
dc.identifier | GN0097903112 | |
dc.identifier.uri | http://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22GN0097903112%22.&%22.id.& | |
dc.identifier.uri | http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/108436 | |
dc.language | 中文 | |
dc.subject | 《舒曼》 | zh_TW |
dc.subject | 《幻想曲作品十七》 | zh_TW |
dc.subject | 《演奏詮釋》 | zh_TW |
dc.subject | 《獨特性》 | zh_TW |
dc.subject | 《音樂語言》 | zh_TW |
dc.subject | 《文學》 | zh_TW |
dc.subject | 《Schumann》 | en_US |
dc.subject | 《Fantasy opus 17》 | en_US |
dc.subject | 《interpretation》 | en_US |
dc.subject | 《uniqueness》 | en_US |
dc.subject | 《musical language》 | en_US |
dc.subject | 《literature》 | en_US |
dc.title | 羅伯特 舒曼《幻想曲作品十七》之樂曲分析與演奏詮釋 | zh_TW |
dc.title | The analysis and interpretation of Robert Schumann Fantasie op.17 | en_US |
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