彭德瑞茲基《六重奏》分析研究與自我音樂創作之應用

Abstract

本文以波蘭當代作曲家彭德瑞茲基（Kryzstof Penderecki, 1933-）的室內樂《六重奏》（Sextet, 2000） 作為此次研究的主題，探討並分析其音樂語言，最終以筆者自我創作之分析，論其音樂語彙對自身的啟發。 彭德瑞茲基的風格轉變甚大，早期與中期的作品較積極地探索各種作曲技法的可能性；而其晚期的作品，則不再追求具震撼性的各式音樂演奏效果，轉為大量運用傳統的音樂素材，且能同時兼顧傳統與現代之間的特色。 本文透過彭德瑞茲基各時期重要代表作品，檢視其音樂理念與慣用的作曲技法，進而探討《六重奏》之音樂內涵，將探究所得體現於自己創作之中。

The thesis focuses on a study of “Sextet”, a chamber music work by Polish contemporary composer Kryzstof Penderecki. Through analysis of this piece, I would reveal the characteristics of Penderecki’s musical language and try to show how the study reflects on my own composition. Penderecki 's musical style has changed a lot. Penderecki was fond of developing the possibility of sonority in his early and mid-term works. In his late works, his musics are no longer the pursuit of shocking performances of various musical performances, but use a large number of traditional music materials, and his works can simultaneously take into account the characteristics between tradition and modernity. By reviewing Penderecki’s works in each period, Examining his musical language concepts and idiomatic composing techniques. Then explore the music connotation of the “Sextet”, and the research will be applied as concepts to my works.