非空非有意象:夏淑慈創作論述
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2024
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非空非有意象創作係以佛學經典為主,透過創作者根據對佛學經典的理解和解釋,以及對生命和存在的深刻思考,在佛學中,「空」指的是一切現象的無常、無我,而「有」則指的是現象的表面存在,而創造出具有獨特意涵和象徵的作品。並通過藝術作品傳達深層的哲理和精神啟示。由意而象的創作過程,強調了「空」和「有」之間的互相關係以及超越二元對立的境界。非空非有意象創作融合宗教意識與藝術形式,以視覺詮釋為媒介,運用諸如「符號」、「挪用」等手法及膠彩媒材作為「創作技巧」。非空非有意象創作包括《非空非有系列》及《世間法系列》兩系列作品,係「意」與「象」的交織,理論與實踐的結合,創作形式與內容的統一。作品深受《般若波羅蜜多心經》《中觀》《唯識》《金剛經》等佛學經典啟發,詮釋空性思想的美學意涵,總的來說,「非空非有」意象創作是一種融合了佛學思想和藝術創作的形式,通過獨特的認知和表達方式,將深奧的哲理和精神價值融入到藝術作品中,啟迪人們的心靈,帶來思想的啟示和情感的共鳴。非空非有意象詮釋空性思想的美學意涵,創作者透過對佛學的智慧深入研究和體悟,將其轉化為藝術作品的靈感源泉。也是說,以佛學中之「非空非有」學理之意象來表述,探索時間與空間的意涵。本文分為五大部分:第一章、緒論;第二章、「創作文獻與史料分析與探討」;第三章、非空非有意象創作表現分析與探討;第四章、創作形式與內容分析;第五章、結論。經由以上各章節的探討研究架構出自身的創作內涵,經由創作者獨特的認知而創造出來的對於生命和存在的探索和反思。
The creation of images that are not empty is based on Buddhist scriptures. , all phenomena lack original existence, and"being" means that all phenomena are impermanent, selfless, and non-existent. This results in the creation of works with unique meanings and symbols that convey deep philosophical and spiritual insights through the artwork. The creative process from concept to image emphasizes the interrelationship between "emptiness" and "existence", transcending binary boundaries. Whether it is emptiness or imagery, there is no integration of religious consciousness and art form. Visual interpretation is usedas the medium, and symbolism, appropriation, acrylic media and other techniques are used as creative tools. It includes two series of works, the"Neither Emptiness nor Existence Series"" and the "Worldly Law Series", in which "meaning" and "image" are intertwined, theory and practice are combined, and the creative form and content are unified. Buddhist classics such as Yogacara and the Diamond Sutra serve as inspiration to interpret the aesthetic significance of the doctrine of emptiness. The works inspire the soul and bring about spiritual feelings and emotional resonance. The interpretation of the aesthetic connotation of "emptiness" is the artist's source of inspiration and comes from a deep understanding of Buddhist wisdom. In other words, it expresses the image of the Buddhist teaching of "neither emptiness nor existence"" and explores the meaning of time and space. : Analysis and discussion of creative expression of "Neither Emptiness nor Non-Image", Chapter 4: Analysis of Creative Form and Content. Exploration and reflection on life and existence created by unique cognition.
The creation of images that are not empty is based on Buddhist scriptures. , all phenomena lack original existence, and"being" means that all phenomena are impermanent, selfless, and non-existent. This results in the creation of works with unique meanings and symbols that convey deep philosophical and spiritual insights through the artwork. The creative process from concept to image emphasizes the interrelationship between "emptiness" and "existence", transcending binary boundaries. Whether it is emptiness or imagery, there is no integration of religious consciousness and art form. Visual interpretation is usedas the medium, and symbolism, appropriation, acrylic media and other techniques are used as creative tools. It includes two series of works, the"Neither Emptiness nor Existence Series"" and the "Worldly Law Series", in which "meaning" and "image" are intertwined, theory and practice are combined, and the creative form and content are unified. Buddhist classics such as Yogacara and the Diamond Sutra serve as inspiration to interpret the aesthetic significance of the doctrine of emptiness. The works inspire the soul and bring about spiritual feelings and emotional resonance. The interpretation of the aesthetic connotation of "emptiness" is the artist's source of inspiration and comes from a deep understanding of Buddhist wisdom. In other words, it expresses the image of the Buddhist teaching of "neither emptiness nor existence"" and explores the meaning of time and space. : Analysis and discussion of creative expression of "Neither Emptiness nor Non-Image", Chapter 4: Analysis of Creative Form and Content. Exploration and reflection on life and existence created by unique cognition.
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非空非有, 意象, 本質, 世間法, 膠彩創作, neither emptiness nor existence, image, essence, worldly law, glue color creation