謝岱凌聲樂學位音樂會之樂曲規劃與解說
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2025
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本場學位音樂會以「愛情」為主軸，選擇橫跨巴洛克至二十世紀、涵蓋義大利文、德文、法文、西班牙文與中文之十一首藝術歌曲與歌劇詠嘆調。藉由多元文化與音樂風格的融合，展現愛情在不同時代與語境中的多樣樣貌與情感層次。選曲包含經典歌劇詠嘆調韓德爾 (G. F. Händel, 1685-1759)《凱薩大帝》中的〈我為我的命運哭泣〉、莫札特 (W. A. Mozart, 1756-1791)《魔笛》中的〈啊！我感覺〉、威爾第 (G. Verdi, 1813-1901)《弄臣》中的〈親愛的名字〉與〈每逢那節日到來〉，還有藝術歌曲舒伯特 (F. Schubert, 1797-1828) 〈岩石上的牧羊人〉、席拉 (F. Schira, 1815-1883) 〈我夢到〉、阿爾第提 (L. Ariditi, 1822-1903) 〈吻〉、佛瑞 (G. Fauré, 1845-1924)〈曼陀林〉、德拉夸 (Eva Dell’ Acqua, 1856-1930)〈田園詩〉，以及羅德利哥 (J. Rodrigo, 1901-1999)《四首愛之牧歌》與內蒙古民歌〈小黃鸝鳥〉等作品。從失落、思念、渴望、甜蜜到幻想，詮釋出愛情的悲喜交織與豐富面向。本文透過逐首分析歌詞意涵、樂曲結構與演唱技巧，結合歷史背景與人物情感，深入探討各作品中所蘊含的愛情觀與表現方式，並融合演唱者個人詮釋經驗，期望透過本場音樂會傳遞愛的多重維度，以及聲樂藝術在詮釋情感時所具備的深刻與力量。
This master’s degree vocal recital is centered on the theme of “love,” featuring eleven art songs and operatic arias spanning from the Baroque period to the twentieth century, presented in Italian, German, French, Spanish, and Chinese. Through the integration of diverse cultures and musical styles, the program illustrates the multifaceted nature and emotional dimensions of love across various eras and linguistic contexts.The selected repertoire includes iconic operatic arias such as “Piangerò la sorte mia” from Giulio Cesare by G. F. Händel (1685–1759), “Ach, ich fühl’s” from Die Zauberflöte by W. A. Mozart (1756–1791), “Caro nome” and “Tutte le feste al tempio” from Rigoletto by G. Verdi (1813–1901). The program also includes art songs such as “Der Hirt auf dem Felsen” by F. Schubert (1797–1828), “Sognai” by F. Schira (1815–1883), “Il Bacio” by L. Arditi (1822–1903), “Mandoline” by G. Fauré (1845–1924), “Villanelle” by Eva Dell’ Acqua (1856–1930), “Cuatro Madrigales Amatorios” by J. Rodrigo (1901–1999), and the Inner Mongolian folk song “The Yellow Oriole”(小黃鸝鳥). These works explore a wide emotional range—from sorrow, longing, and desire, to sweetness and romantic fantasy—reflecting the complex and intertwined nature of love.This written report provides a detailed analysis of each piece’s lyrics, musical structure, and vocal interpretation, contextualized with historical background and character emotions. By integrating the performer’s personal interpretive experience, this recital seeks to convey the many dimensions of love and highlight the profound expressive power of vocal music in articulating human emotion.
This master’s degree vocal recital is centered on the theme of “love,” featuring eleven art songs and operatic arias spanning from the Baroque period to the twentieth century, presented in Italian, German, French, Spanish, and Chinese. Through the integration of diverse cultures and musical styles, the program illustrates the multifaceted nature and emotional dimensions of love across various eras and linguistic contexts.The selected repertoire includes iconic operatic arias such as “Piangerò la sorte mia” from Giulio Cesare by G. F. Händel (1685–1759), “Ach, ich fühl’s” from Die Zauberflöte by W. A. Mozart (1756–1791), “Caro nome” and “Tutte le feste al tempio” from Rigoletto by G. Verdi (1813–1901). The program also includes art songs such as “Der Hirt auf dem Felsen” by F. Schubert (1797–1828), “Sognai” by F. Schira (1815–1883), “Il Bacio” by L. Arditi (1822–1903), “Mandoline” by G. Fauré (1845–1924), “Villanelle” by Eva Dell’ Acqua (1856–1930), “Cuatro Madrigales Amatorios” by J. Rodrigo (1901–1999), and the Inner Mongolian folk song “The Yellow Oriole”(小黃鸝鳥). These works explore a wide emotional range—from sorrow, longing, and desire, to sweetness and romantic fantasy—reflecting the complex and intertwined nature of love.This written report provides a detailed analysis of each piece’s lyrics, musical structure, and vocal interpretation, contextualized with historical background and character emotions. By integrating the performer’s personal interpretive experience, this recital seeks to convey the many dimensions of love and highlight the profound expressive power of vocal music in articulating human emotion.
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