「穿越.時.空」洪雪慧水墨創作論術

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2024

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本論文題目「穿越‧時‧空」,取材自古代四神獸及青銅器物之圖騰元素,藉由圖像的挪用、再製,加以進行重組、創作,圖騰元素在時間與空間的交織下,形塑自我的創作風格。本創作研究之核心概念如下 : 四神靈具有神力、威信、庇護的意涵,人們希望通過崇拜來獲得祂們的祝福和保護,也是出於對傳統文化的尊重,對自然力量的敬畏以及對祖先的崇拜。另外,借用青銅器之物件,與當代元素並置,借古開今之意並完成筆者的系列作品。論文共分五章:第一章 緒論,闡述筆者研究動機與目的、研究內容與範圍、研究方法以及名詞解釋;第二章 時間空間意涵、時空美學、挪用圖騰之探究、藝術家作品探討與分析等。第三章 「穿越‧時‧空」創作理念與形式方法表現,創作理念營造、創作實踐方法、創作內容形式表現、創作步驟與媒材;第四章 創作作品解析,本創作分四個系列「四象系列」、「鑄之語系列」、「探古尋源系列」、「闔樂系列」;第五章 結論 對本論文的研究過程的回顧與自我檢視以及對未來展望。
The title of this dissertation,"Crossing Time and Space", is based on the totemic elements of the four ancient mythical beasts and bronze artifacts, and through the appropriation and reproduction of images, they are reorganized and created, and the totemic elements shape their own creative style under the interweaving of time and space. The core concepts of this creative research are as follows: The four gods have the meaning of divine power, prestige, and protection, and people hope to obtain their blessing and protection through worship, but also out of respect for traditional culture, reverence for natural forces, and worship of ancestors. In addition, the series is completed by borrowing bronze objects and juxtaposing them with contemporary elements.The dissertation is divided into five chapters: Chapter 1 Introduction, which expounds the author's research motivation and purpose, research content and scope, research methodology, and explanation of terms; Chapter 2 The Meaning of Time and Space, the Aesthetics of Time and Space, the Exploration of the Appropriation of Totems, and the Discussion and Analysis of Artists' Works. Chapter 3 "Crossing Time and Space" Creative Practice and Methods, Creative Concept Building, Creative Practice Methods, Creative Content Form Expression, Creative Steps and Media; Chapter 4 Analysis of Creative Works, this creation is divided into four series:"Four Elephants Series", "Casting Language Series", "Ancient Exploration and Source Series", and "Happy Series"; Chapter 5 Conclusion A review and self-examination of the research process of this dissertation and a prospect for the future.

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穿越, 圖騰, 挪用, 時空美學, 水墨創作, 時.空, traversal, time. Emptiness, totem, appropriation, space-time aesthetics, ink painting

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