另類客家音樂表達: 「後生人」饒舌音樂人的創作場域與認同政治
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2023
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Abstract
本研究旨在探討不同生產途徑的後生人饒舌歌手聖代和Yappy,在其場域中的矛盾、拉扯與調適,以及他們如何藉由客家饒舌歌曲表述自我身份、用不同的方式訴說客家音樂場域問題和回應社會中的刻板印象;也初探饒舌歌手如何運用客語的特性進行創作,同時建構出客家饒舌此一音樂類型的樣貌。本研究採文化研究的取徑,先針對聖代和Yappy個人之演出活動、音樂作品以及呈現於社群媒體上的形象進行搜集、分析與觀察,增進研究對象的田野;使用深度訪談法了解歌手的創作想法和生產機制,並採取Bourdieu的場域理論之概念去理解歌手與場域間的關係。
研究發現,聖代和Yappy兩人所處的創作場域不同,關乎於投入創作的年代和時期。客家音樂場域對於聖代而言,是一個發揮的舞台,但也受限於客家流行音樂的框架以及客委會的生產機制,使他欲尋求新的發展途徑;Yappy因《大嘻哈時代》音樂選秀節目逐漸主流化,卻在個人作品表現和形象上有所改變。
聖代和Yappy在造型上都採用了UK Drill的元素,卻呈現出不同的氣質;他們運用客語創造出獨特的饒舌美學,從音樂中也反應了他們對於自身身份在客家或在主流社會中的思考與感觸。
The purpose of this study is to explore the contradictions, pulls and adjustments in the creative environment surrounding the new generation rappers Sundae and Yappy. Sundae and Yappy express their self-identity through Hakka rap songs, tell the problems of the Hakka music field in different ways, and respond to social stereotypes. The study preliminarily explores how the two rappers use the characteristics of Hakka language to create, and constructs Hakka rap as a musical genre.This study adopts a cultural studies approach. The researcher collects, analyzes and observes Sundae and Yappy’ s performance activities, music works and images presented on social media, so as to expand the field of the research object. In addition, the researcher uses the in-depth interview method to understand the creative ideas and production mechanism of the singers, and adopts the concept of Bourdieu's field theory to understand the relationship between the singers and the fields. The study found that Sundae and Yappy are in different creative fields, which is related to the period of creation. As far as Sundae is concerned, the Hakka music field is a stage, but it is also limited by the framework of Hakka pop music and the production mechanism of the Hakka Affairs Council, which makes him want to seek new ways of development; on the other hand, although Yappy’ s works have gradually become mainstream due to the talent show《THE RAPPERS》, he has changed his works and personal image as he gains more opportunities.Sundae and Yappy both incorporate elements of UK Drill in their outfits, but present different temperaments; they use Hakka language to create unique rap aesthetics, and their music also reflect their own thoughts and feelings in Hakka or mainstream society.
The purpose of this study is to explore the contradictions, pulls and adjustments in the creative environment surrounding the new generation rappers Sundae and Yappy. Sundae and Yappy express their self-identity through Hakka rap songs, tell the problems of the Hakka music field in different ways, and respond to social stereotypes. The study preliminarily explores how the two rappers use the characteristics of Hakka language to create, and constructs Hakka rap as a musical genre.This study adopts a cultural studies approach. The researcher collects, analyzes and observes Sundae and Yappy’ s performance activities, music works and images presented on social media, so as to expand the field of the research object. In addition, the researcher uses the in-depth interview method to understand the creative ideas and production mechanism of the singers, and adopts the concept of Bourdieu's field theory to understand the relationship between the singers and the fields. The study found that Sundae and Yappy are in different creative fields, which is related to the period of creation. As far as Sundae is concerned, the Hakka music field is a stage, but it is also limited by the framework of Hakka pop music and the production mechanism of the Hakka Affairs Council, which makes him want to seek new ways of development; on the other hand, although Yappy’ s works have gradually become mainstream due to the talent show《THE RAPPERS》, he has changed his works and personal image as he gains more opportunities.Sundae and Yappy both incorporate elements of UK Drill in their outfits, but present different temperaments; they use Hakka language to create unique rap aesthetics, and their music also reflect their own thoughts and feelings in Hakka or mainstream society.
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客家饒舌, 台饒, 客家流行音樂, 聖代, Yappy, Hakka Rap, Taiwan Rap, Hakka Popular Music, Sundae, Yappy