南管新錦珠交加戲研究

Abstract

「南管新錦珠」交加戲班，創立於1949年。光復後帶領交加戲至全新局面，豐富表演內涵並開枝散葉，進而影響其他劇種。新錦珠承襲自泉郡錦上花，其音樂特點為前場唱腔運用南管曲，後場音樂為北管系統鑼鼓。身段保留七腳戲優雅婉約之特色及加入京劇武戲熱鬧之風格。其劇種特點為「南唱北打」及「南北交加」，有南北融合之意味。 本論文研究的目的在於研究新錦珠交加戲班，從創立至今的歷史過程以及其劇種的藝術特色。從探究泉郡錦上花歷史背景，來瞭解當時為了生存加以變化至交加戲的過程及後來新錦珠承襲的戲劇特點，包括音樂運用、身段藝術、展演特色，加以記錄並探討新錦珠從起始至今的藝術傳承以及其貢獻。 本論文共分為三章，第一章為南管新錦珠成立沿革，從泉郡錦上花歷史脈絡展開做介紹，再對新錦珠成立至今的時間過程，劇團組職、養成訓練、重要成員藝術貢獻做概括性敘述；第二章為南管新錦珠經典劇目記錄分類及重要演出敘述；第三章為南管新錦珠音樂藝術展演特色，藉由採譜、記錄、訪問、影像呈現交加戲之藝術特點，進而瞭解新錦珠發展轉變以及為台灣傳統藝術文化的貢獻。NanguanSinjinJhuTraditional theater groups of kau1-ka1-hi3, established in 1949, played a big role in leadingkau1-ka1-hi3 into a new era since Taiwan handed over from Japanese colonialism in 1945. SinjinJhu not only enriched the performance contents but also influenced other type of dramas when ex-SinjinJhumembers joined in various type of performances arts. SinjinJhu, inherited from CyuanjyunJinshanghua, combines the traditional northern and southern of China art skills, nanguan singing techniques, beiguan background music, tsit4-kio2 hi3 graceful postures, Chinese opera kongfu style called "North-South Cross", and therefore makesSinjinJhua new fusion performance art. SinjinJhu as the research target of this essay, we will study on it’s history and also cover the artistic characteristics of their performances. By Starting from research onSinjinJhu’s predecessor CyuanjyunJinshanghua, we are trying to figure out the kau1-ka1-hi3evolving process and all the characteristics that SinjinJhu inherited, including music, postures, performances traits and we also cover the legacy and contributions that SinjinJhuachieved. Following this research process, we structured this essay into three chapters,Chapter one contains the SinjinJhuhistory, including how they inherited from CyuanjyunJinshanghua, development timeline, organization structure, training techniques and key members’ contributions. Chapter two covers the classification of SinjinJhuperformances lists and briefs on key signature performances. In chapter three we will have a discussion on artistic characteristics of SinjinJhuperformances by sheet music collecting, interviews and video recording. Finally, to conclude on SinjinJhu development evolution and their contribution to Taiwan traditional folk cultures.