「連續與不連續」－實驗性動畫之時間敍事研究

Abstract

時間整體結構原是呈線性發展，即有頭有尾的一個完整架構。創作者運用不同時間空間甚至毫無相關的畫面構成一部有故事主體的影片；如此跳接形式正如鑲在線性不變的時間結構之中，線性本身包裹非線性結構，形成了很奇妙的；一種意義上的矛盾。本研究將透過電影及語言學等專業領域對動畫本身進行敍事性探討。 本研究歸納出以下四點作為研究內涵探討：

1、藉由影片本身說故事的特質，探究動畫的敍事架構。 2、探討動畫故事的段落是否會因不同的排列組合而造成不同的內涵及解讀方式。 3、藉由對實驗性動畫的風格及其故事內容的架構進行分析，進一步嚐試故事性動畫組接的各種創作實驗，比較其不同的敍事內涵。 4、運用實物及影像結合傳統及數位等方式增加動畫創作的各種可能性與獨創性。

The might of image strengthens constantly. Vision and video/audio both combine on dual senses that make people fascinated by what they see and get. The developments of computer animation are irresistible at present day. It provides the brand new sight experience activated on spread mass media and related art domain. Basically, time elapses linearly. Animation Itself is built in a complete frame structure; i.e., from start to the end. The creator applies the pictures comprised of different time/space to make up a movie. The jump style binds to time sequence just as linear-structure time does. Linearity itself wraps up non-linear structure forming a marvelous contradiction. This study proceeds to a narrative statement to probe into the animation through the investigation of movie and language basics. This study generalized 3 conclusions as stated below： １. The nature of story-told characteristics for film makes it feasible for studies on narrative structure of animation ２. The different permutation and combination of story sections results in differentiate compilations of content. 3. Digital images with the enclosure of physical goods make more possible appearances of experimental animations. Keywords：Experimental animation、Narrative structure of time、drawn animation、Paradoxical structure、model animation