葛拉納多斯藝術歌曲《永恆的悲歌》及《情歌》之分析與詮釋

Abstract

西班牙作曲家恩里克．葛拉納多斯 ( Enrique Granados, 1867-1916 ) 為十九世紀末重要且具有影響力的音樂家，亦是西班牙首位於白宮演出的音樂家，本文將探討葛拉納多斯所創作的八首藝術歌曲，分別為 《永恆的悲歌》 （Elegía Eterna），以及內含七首歌曲的《情歌》（Canciones Amatorias, 1915）。兩組作品分別採用十九世紀末和西班牙黃金時代的詩，《永恆的悲歌》 採用阿佩爾．麥斯特（Apel les Mestres, 1854-1936）的詩作。《情歌》則選了七首詩，四首的詩人是佚名，另外兩首之詩人為路易斯．貢戈拉 ( Luis de Góngora, 1561-1627 )，一首之詩人為洛佩．維加（Lope de Vega, 1562-1635）的作品。由上述兩組作品中，可發現葛拉納多喜愛運用浪漫主義音樂語法、西班牙民間音樂、半音及增減和弦等作為創作素材，透過本文探討此兩組作品的創作風格及手法，期盼詮釋此作品的歌者能夠有所依循，更加理解葛拉納多斯的藝術歌曲。Spanish composer Enrique Granados ( 1867-1916 ) was an important influential musician in the last quarter of the nineteenth century, and the first Spainish musician to perform at The White House of the united states. In this thesis, we are going to study eight art songs creation of Granados, which is Elegía Eterna and seven songs in Canciones Amatorias（1915）.Enrique Granados applied the poetries from the late nineteenth century and Siglo de Oro era. The lyrics of Elegía Eterna was composed by Apel les Mestres ( 1854-1936 ). The lyrics of the Canciones Amatorias then used 7 different poetries form the Siglo de Oro era, they were Luis de Góngora ( 1561-1627 ), Lope de Vega ( 1562-1635 ) and four others poetries were anonymous.From the creation of the art works, finding showed that Granados composed in a romantic and Spanish music style. Characteristics of his style include augmented chords, chromaticism, harmonic sonorities with added tones. This study discusses the compositional techniques and the style of the eight songs, with the purpose to facilitate the interpretation of these works, and further understanding the thoughts and affections of the composers.