施雷克《給低音管與鋼琴奏鳴曲》之樂曲分析與演奏詮釋探討
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2023
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Abstract
古斯塔夫·恩斯特·施雷克 (Gustav Ernst Schreck, 1849-1918),是德國十九世紀晚期的作曲家。本論文之目的為研究施雷克的《給低音管與鋼琴奏鳴曲》,探討其生平以及創作風格,並進行樂曲分析以及提出詮釋建議。本文分為五個章節,第一章為緒論,說明本論文之研究動機與研究範圍;第二章為作曲家施雷克的生平及創作風格;第三章為樂曲分析,並解析施雷克的創作手法;第四章是從節奏、旋律、力度、表情符號、術語、鋼琴合作等角度來對施雷克《給低音管與鋼琴奏鳴曲》進行三個樂章的演奏詮釋;第五章為結語。
Gustav Ernst Schreck (1849-1918) was a late 19th century German composer. The aim of this thesis is to propose interpretative suggestions and music analysis of Schreck’s Bassoon Sonata, Op. 9 based on the exploration of the compositional style and biography of the composer.The thesis is divided into five chapters: I. Introduction: explaining the research motivation, purpose, and the area of research. II. The compositional style and biography of Gustav Ernst Schreck. III. Music analysis with the focus of Schreck’s compositional technique. IV. Performance interpretation of the bassoon sonata in reference to the consideration of rhythm, melody, dynamics, music terminology, and piano collaboration. V. Conclusion.
Gustav Ernst Schreck (1849-1918) was a late 19th century German composer. The aim of this thesis is to propose interpretative suggestions and music analysis of Schreck’s Bassoon Sonata, Op. 9 based on the exploration of the compositional style and biography of the composer.The thesis is divided into five chapters: I. Introduction: explaining the research motivation, purpose, and the area of research. II. The compositional style and biography of Gustav Ernst Schreck. III. Music analysis with the focus of Schreck’s compositional technique. IV. Performance interpretation of the bassoon sonata in reference to the consideration of rhythm, melody, dynamics, music terminology, and piano collaboration. V. Conclusion.
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低音管, 施雷克, 浪漫樂派, 奏鳴曲, Bassoon, Gustav Schreck, Romantic, Sonata