「遺忘˙紀錄」之創作研究
dc.contributor | 黃進龍 | zh_TW |
dc.contributor | Chin-Lung Huang | en_US |
dc.contributor.author | 張家荣 | zh_TW |
dc.contributor.author | Chia-Jung Chang | en_US |
dc.date.accessioned | 2020-12-10T05:59:43Z | |
dc.date.available | 2013-7-23 | |
dc.date.available | 2020-12-10T05:59:43Z | |
dc.date.issued | 2013 | |
dc.description.abstract | 本創作研究旨在探討記憶遺失所引發的恐懼感,筆者用手中執的畫筆,真實地記錄下親手所照顧過的事物。如快死亡的金魚、盆栽、花朵……等,舉凡筆者生活周遭所接觸到,即將消失的事物。經由此記錄下過程,形成「紀錄」這個動作,轉化成個人創作《痕跡》。 論文選寫的主要架構共分為六章敘述如下: 第一章¬¬¬¬緒論的部分,說明研究動機、目的、內容、方法、名詞解釋。筆者喜歡記錄下周遭單純事物,因此筆者以繪畫中常見的靜物畫形式來呈現作品。 第二章在說明創作之理論基礎,透過哲學、藝術史、藝術脈絡……等,來分析作品與學理之間的相互參照,進一步釐清筆者的思維模式。 第三章在說明創作理念,更進一步說明創作想法,與探討創作脈絡上的異同,再賦予其開放的角度,也更清楚語彙的精準度。 第四章旨說明創作形式內容技法與媒材,筆者在使用的手法之中,進一步探討作品中,草圖與作品並置關係與未完成性兩大特點。 第五章作品解析,筆者把操作的成果以圖片方式呈現,筆者混和了各種不同的方式操作,兼具有感性、理性、有意識、無意識……等,複合的記錄方式,仔細譜下這些曾在筆者周遭流動的事物,並闡述說明創作動機與欲表達的內容,希望能提供觀者有所參照。 第六章說明結論,分享得到的藝術觀與想法,以及未來在面對創作上的想法與期許。 | zh_TW |
dc.description.abstract | The aim of this research is to explore the inner sense of fear from the lost of the memory. The artist uses his brushes to keep track of everything that he really pays close attention to, such as the dying goldfish, the fading plants, the withering flowers, and etc. Anything is fading around the artist. Through the process “Documentary”, the artist converts his creations into a “Trace.” The main structure of this research is divided into six chapters: Chapter One: The introduction of the research: motivation, purpose, content, method, and glossary. The artist likes to draw simple things that around him. As a result, “still life painting” is a common form in the artist’s creations. Chapter Two: The description of creative theoretical foundation, inspired from philosophy, art history, art trend, and etc. Analyzing and elaborating art works helped the artist to clear his inner thought. Chapter Three: The concepts of the creations. Explain the artistic concepts, and introduce the artist’s ideas further. The artist focused on the similarities and differences in the creative trend, and gave them a new point of view, which made the ideas more precise. Chapter Four: The form of creations. The method of usage, the artist got closer to his creations, and focused on two main factors: the relationship between drafts and finished art works and the concept of unfinished. Chapter Five: Analyzing art works. The artist presented his creations with images, combined different methods to create different works. The combination of the documentary: emotional, rational, conscious, unconscious, and etc, put down the events that had happened in the author’s life. And the author wants to provide some reference to the viewers. Chapter Six: Conclusion and Reflection. The artist shared his creating process, which not only gave him a new aspect of art, but also a new idea for him to face the future creation. | en_US |
dc.description.sponsorship | 美術學系 | zh_TW |
dc.identifier | GN0699600275 | |
dc.identifier.uri | http://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22GN0699600275%22.& | |
dc.identifier.uri | http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/115536 | |
dc.language | 中文 | |
dc.subject | 紀錄 | zh_TW |
dc.subject | 遺忘 | zh_TW |
dc.subject | 歷史哲學 | zh_TW |
dc.subject | Documentary | en_US |
dc.subject | Oblivion | en_US |
dc.subject | Historical philosophy | en_US |
dc.title | 「遺忘˙紀錄」之創作研究 | zh_TW |
dc.title | Research and Creative Art of“Oblivion and Documentary” | en_US |
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