半透明的呢喃─吳佳軒水墨創作論述
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2023
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透過花有機體的繁衍、變動、碎形狀態聚與散所帶來的各種可能帶出社會下如同液態般的不確定與流動性質,有如半透明輕盈的各種變動。本創作研究以「半透明的呢喃」作為探討水墨創作中的半透明與碎形皺褶之美為主題,透過理念與創作圖像意涵的分析,建構出筆者所思、所想、所繪的無聲勝有聲的「呢喃」。本創作研究包含五個章節,第一章為研究動機與目的、內容與範圍、研究方法與步驟概述與名詞釋義;第二章以「慾望‧液態‧半透明」為主軸,探討個人慾望的起源到當代社會現象的流動與半透明特質,在自身慾望與社會間的拉扯、消長中尋找存在的主體性,並以藝術作為生存慾望表達的機制進行探討。第三章連結前述的背景及動機,以「透明的皺褶」說明系列作品之創作理念與實踐-「皺褶」的藝術表現慾望的具體呈現;「半透明」,藉由藝術家的作品表現形式進行分析,作為筆者創作半透明形式上的參照與梳理,透過多元的創作模式刺激新的創作形式的表現。第四章「半透明的呢喃」之創作論述,以墨與西方媒材各式水性顏料的複合狀態作為主要媒材,以水墨審美經驗出發,在東方工筆繪畫中雜揉受西方繪畫影響的繪畫技巧,探索體驗慾念於心探詢、環繞、遊走的心路歷程,並最後透過作品的個別解析,建構整個創作的脈絡與內容;第五章總結,從回顧創作及研究歷程,作為未來創作之路的展望。
The propagation, variation, gathering, and dispersion of the fractals of a flower organism symbolize various possibilities. They reflect the uncertainty and fluidity in a society, resembling the subtle, translucent variations of social phenomena. Adopting the theme “whispers of translucency,” this creative study explored the beauty of translucency and fractal folds in ink paintings. By analyzing various concepts and creative imagery, we deciphered the silent but meaningful “whispers” that expressed the thoughts, ideas, and strokes of artists.This creative study comprises five chapters. Chapter 1 provides an overview of the research motivation and objectives, content, scope, methods, and steps of the study, as well as the definitions of relevant terms. Chapter 2 revolves around the theme of “desire, fluidity, and translucency,” exploring the origin of individual desires and the fluid and translucent characteristics of contemporary social phenomena. In addition, it discusses the pursuit of the subjectivity of existence in the context of the tension and fluctuations between individual desires and social expectations and the use of art as a mechanism to express the desire to survive. To connect the research background and motivation, Chapter 3 explains the creative and practical elements of a series of artworks that are based on the idea of “transparent folds,” presenting the manifestation of artistic desire through the expression of “folds.” The concept of “translucency” was analyzed through the manifestation patterns employed by the artists of these artworks. This concept served as a reference for our creation of translucent forms and structures, and it demonstrated how diverse creative modes can stimulate the emergence of new artistic forms. Chapter 4 explores the creation discourse of the theme “whispers of translucency.” The artworks were mainly created using ink and various western water-based pigments from the aesthetic perspective of ink paintings. Western art was blended with traditional Chinese fine brush paintings to explore and experience the heart’s journey to identify desire, surround itself with desire, and pursue desire. Finally, the artworks were interpreted individually to clarify their overall context and content. Chapter 5 concludes the study by reviewing the creation and research process, providing an outlook for future artistic endeavors.
The propagation, variation, gathering, and dispersion of the fractals of a flower organism symbolize various possibilities. They reflect the uncertainty and fluidity in a society, resembling the subtle, translucent variations of social phenomena. Adopting the theme “whispers of translucency,” this creative study explored the beauty of translucency and fractal folds in ink paintings. By analyzing various concepts and creative imagery, we deciphered the silent but meaningful “whispers” that expressed the thoughts, ideas, and strokes of artists.This creative study comprises five chapters. Chapter 1 provides an overview of the research motivation and objectives, content, scope, methods, and steps of the study, as well as the definitions of relevant terms. Chapter 2 revolves around the theme of “desire, fluidity, and translucency,” exploring the origin of individual desires and the fluid and translucent characteristics of contemporary social phenomena. In addition, it discusses the pursuit of the subjectivity of existence in the context of the tension and fluctuations between individual desires and social expectations and the use of art as a mechanism to express the desire to survive. To connect the research background and motivation, Chapter 3 explains the creative and practical elements of a series of artworks that are based on the idea of “transparent folds,” presenting the manifestation of artistic desire through the expression of “folds.” The concept of “translucency” was analyzed through the manifestation patterns employed by the artists of these artworks. This concept served as a reference for our creation of translucent forms and structures, and it demonstrated how diverse creative modes can stimulate the emergence of new artistic forms. Chapter 4 explores the creation discourse of the theme “whispers of translucency.” The artworks were mainly created using ink and various western water-based pigments from the aesthetic perspective of ink paintings. Western art was blended with traditional Chinese fine brush paintings to explore and experience the heart’s journey to identify desire, surround itself with desire, and pursue desire. Finally, the artworks were interpreted individually to clarify their overall context and content. Chapter 5 concludes the study by reviewing the creation and research process, providing an outlook for future artistic endeavors.
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慾望, 半透明, 碎形, 皺褶, 當代水墨, desires, translucency, fractals, folds, contemporary ink paintings