歐普藝術應用於柿染工藝創作

Abstract

本研究旨在探討柿染工藝如何融合以強烈錯視著名的歐普藝術，創造出具有不同觀感的工藝作品，並進一步應用於商品開發中，擴展柿染商品圖案更多可能性。創作研究採用布料作為媒介，透過刷染技法，以控制圖案的清晰度與線條俐落度，並且進行4款歐普藝術風格的袋包創作。為提升圖案生成效率與形式多樣性，本研究引入開源程式語言Processing，作為歐普藝術圖樣設計的工具。透過程式編碼，產出多款變異的視覺圖樣，利於後續圖樣挑選，並且搭配雷射切割製作精準型版，用於實際刷染應用。文獻探討涵蓋柿染歷史與技法、歐普藝術發展脈絡、數位輸出、雷射切割、袋包媒材探討等，作為創作與實作的理論基礎。創作方法包含調查臺灣柿染產品與創作實驗前測，調查歸納出目前市售產品無歐普藝術相關紋樣，多以大面積染色、或幾何紮染為主。創作實驗前測先以型糊染方式呈現紋樣，結果不盡理想，後續進行流程改良，最終以刷染方式應用於創作。成果呈現四款融合歐普藝術風格的柿染袋包，並透過問卷調查收集不同年齡與職業族群對該系列設計的接受度與視覺評價。得到結論為：1. 年齡或產業類別，並未影響袋包風格購買意願。2. 不同風格會影響袋包購買意願，問卷調查期間，受訪者認為歐普藝術相對傳統柿染圖樣較有現代、設計感。研究期望能透過數位工具呈現近代藝術風格圖樣並與柿染工藝結合，改變大眾對柿染僅具樸實、傳統形象的既定印象，推動傳統工藝的現代化發展與市場再定位。This study explores integrating traditional persimmon dyeing with the strong visual illusions of Op Art to create unique visual effects and expand design possibilities for dyed products. Using fabric as the medium and brush-dyeing techniques to control clarity and sharpness, four Op Art- inspired bags were developed, aiming to spark innovation through the fusion of tradition and modernity. To improve design efficiency and variation, the open-source language Processing was used to generate patterns, which were then laser-cut into precise stencils for dyeing. The literature review covers persimmon dyeing history and techniques, Op Art development, digital output, laser cutting, and bag material studies. Methodologically, the research included market surveys and preliminary experiments, revealing that current products rarely adopt Op Art and mostly feature large area dyeing or geometric tie-dye. Initial stencil dyeing tests were unsatisfactory, prompting process revisions that led to the final brush-dyeing approach. The outcome features four persimmon-dyed bags with Op Art elements. A questionnaire gathered responses across age and profession, showing: (1) Age and occupation had no significant effect on purchase intention. (2) Style influenced willingness to buy, with Op Art seen as more modern and design-oriented than traditional patterns. This study aims to leverage digital tools to modernize the perception of persimmon dyeing and reposition the craft for contemporary markets.