安塔爾．多拉悌 《雙簧管與鋼琴二重協奏曲》之詮釋與分析

Abstract

本篇論文除了研究匈牙利作曲家兼指揮家多拉悌（Antal Doráti, 1906-1988）的生平、音樂生涯以及重要作曲手法外，同時也藉由樂曲分析與利用樂團聲響的基本架構下來探討《雙簧管與鋼琴二重協奏曲》的樂曲創作技巧手法、樂曲中的聲響與匈牙利的音樂特色，對應此曲與匈牙利音樂特色之間的關係以及演奏上的色彩變化。利用表格方式來呈現出樂曲段落，將每一樂段的風格做整理；利用指法表呈現泛音指法以及改變音色的替代指法；將樂曲中特別之處加上筆者的研究及演奏加以說明，同時並參考不同的影音演奏版本來統整出樂曲的詮釋風格。期盼此篇論文可以讓後人更認識多拉悌、匈牙利的音樂、對此曲可以有更多角度的體悟。

In addition to studying the life and music career of Hungarian composer and conductor Antal Doráti (1906-1988), this thesis also explores the relationship between the oboe and the orchestra by analyzing the music and using the basic structure of the orchestral sound. “Duo concertante” music compositional techniques, musical sounds , corresponding to the song and Hungarian music characteristics and the relationship between the performance of the color change. Using the table method to show the musical phrases of each section.The useof fingering table presented to show the overtone fingerings and changes of tone due to alternate fingering. This thesis will attempt to explain the composer's vision using audio and video excerpts. I hope this provides a window into the music of the Hungarian composer Antal Doráti.