提奧多．杜布瓦《十架七言》之探究與指揮詮釋

Abstract

一位指揮從接觸樂曲到能夠帶領音樂團隊登台演出，由頭腦到心靈，由心靈到身體，由自己到他人，都歷經一番磨煉與洗禮。研究者將預備指揮演出的過程作為本論文的研究範圍與內容。以下依序列為五個階段：

第一階段：理解背景 指揮透過對樂曲創作者的時代背景與創作理念的探究，對音樂的曲種、風格、精神上有更加豐富、精準而細緻的理解。 第二階段：認識樂曲 （一）樂曲的原形（編制、曲式、主題、速度、力度、調性、旋律、和聲等）（二）確立初步的詮釋方式，並構思「再創造」之空間 第三階段：團隊技能訓練 （一）對團員個人演唱/奏能力的引導與激發 （二）指揮對團員演唱/奏能力的統合與分配 第四階段：肢體引導 （一）基本指揮手勢與技術 （二） 指揮對於演唱/奏的統合與激發 第五階段：展演的籌備與執行

除了第一章為研究動機、範圍與方法的說明，本論文將依循上述五階段，「理解背景」—>「認識樂曲」—>「團隊技能訓練」—>「肢體引導」—>「展演籌備與執行」，分述於本論文的第二章「作曲家與作品介紹」、第三章「樂曲結構分析」，第四章「聲樂演繹技巧」，第五章「指揮詮釋」及第六章「結論」。

杜布瓦出身法國，卻以拉丁文譜寫整部作品、乃一特別之處；另音樂屬於浪漫時期的創作，和聲變化性與配器的規模都比前一階段更為彰顯，歌詞卻是來自聖經經文內肅穆而深沉的基督信仰內涵，在提倡更多個人主義與自由創作的時期，有一莊嚴肅穆的作品，便讓研究者分外期待，能在管弦樂與合唱團的結合上，聽見不同於巴洛克或古典時期的聖樂創作與表現方式，看看是否能互相碰撞出令人驚喜的火花。當然，也要將這樣寶貴的研究成果分享給對杜布瓦的十架七言，或是合唱聖樂、法國風格的音樂、浪漫時期的管弦合唱作品等等領域有興趣鑽研的其他研究者們，也提供給指揮者與演出者在樂曲詮釋上有更多參考依據。From contact with music to being able to lead a musical team on stage, a conductor has experienced trials and baptisms from the mind to the heart, from the heart to the body, from himself to others. The researcher regards the process of preparing to conduct the performance as the research scope and content of this thesis. The following are five stages in sequence:

The first stage: Understanding the background The conductor has a richer, more precise and detailed understanding of music types, styles, and spirits through the exploration of the music creators' background and creative concepts. The second stage: recognize the music (1) The original form of the music (organization, style, theme, speed, intensity, tonality, melody, harmony, etc.) (2) Establish a preliminary interpretation method and conceive a space for "re-creation" The third stage: team skills training (1) Guidance and stimulation of individual singing/playing ability of group members (2) The integration and distribution of the conductor's singing/playing ability to the members The fourth stage: body guidance (1) Basic command gestures and techniques (2) The conductor's integration and stimulation of singing/playing The fifth stage: Preparation and execution of the show Except for the explanation of the research motivation, scope and methods in Chapter 1, this paper will follow the above five stages: "understanding background" -> "knowing music" -> "team skill training" -> "body guidance" -> "show preparation" Five stages above are divided into chapter 2 "Introduction to the Composer and Works", Chapter 3 "Analysis of Music Structure", Chapter 4 "Vocal Deduction Skills", Chapter 5 "Conducting Interpretation" and Chapter 6 "Conclusion".

Because Dubois was born in France, he composed the whole work in Latin, which is a special feature. In addition, the music belongs to the creation of the romantic period. The harmony and the scale of the orchestration are more prominent than the previous stage, but the lyrics are from the solemn and deep Christian connotation in the scriptures of the Bible, in the period when more individualism and free creation are promoted, there is a solemn and solemn work that makes researchers look forward to the combination of orchestral music and chorus. Different from the interpretation of sacred music in the Baroque or Classical period, see if they can collide with each other to create surprises. Of course, such valuable research results should also be shared with other researchers who are interested in studying Dubois’ seven crosses, or choral sacred music, French style music, orchestral choral works in the romantic period, etc. It also provides conductors and performers with more references in the interpretation of music.