舒伯特：〈枯萎的花朵〉為長笛與鋼琴的序曲與變奏，作品D802，主題選自《美麗的磨坊少女》

Abstract

舒伯特(Franz Peter Schubert, 1797~1828)，是古典時期最後一位作曲家，同時也是開啟浪漫樂派之門的第一人，生於時代交鋒的世代，他的作品中融合了古典主義理性、重秩序，與浪漫主義感性、好自由的特色；被稱之為「歌曲之王」的舒伯特，除了有大量的藝術歌曲創作外，更將藝術歌曲的發展推向了顛峰，讓藝術歌曲在音樂史上占有一席之地。1823年根據詩人謬勒(Wilhelm Müller, 1794~1828)的詩集創作了第一部連篇歌曲《美麗的磨坊少女D.795》(Die Schone Mullerin, D.795)，兩個月後開始以連篇歌曲《美麗的磨坊少女》中的第十八首〈枯萎的花朵〉(Trockne Blumen)的旋律主題，為當時維也納音樂院的名譽教授暨長笛家費笛南德˙伯格納(Ferdinand Bogner, 1789~1846)創作了〈枯萎的花朵〉為長笛與鋼琴的序曲與變奏(Introduction and Variation for Flute and Piano on “Trocken Blumen” from “Die Schöne Müllerin”)。

本論文共分為五部份來探討，第一部份為研究動機與目的，第二部份則探討舒伯特的生平簡介與音樂風格，第三部份藉由文獻資料的蒐集與統整，瞭解〈枯萎的花朵〉為長笛與鋼琴的序曲與變奏之創作背景，第四部份著重在分析樂曲的創作手法，最後第五部份，則是整合創作背景與樂曲分析，進而提供樂曲詮釋的方式與注意要點，以期在演奏上有更進一步的幫助。Franz Schubert (1797-1828), born in overlapping periods of classical and romantic music, was the last composer in the classical period as well as the first people opening the door of the romantic period. His works consisted of reason and order of the classicism and also consisted of sensitivity and freedom of the romanticism. In addition to create a large amount of lieder, Schubert, who is regarded as the “king of lieder”, also leaded the development of lieder to reach the top and leaded lieder to have a place in the history of music. In 1823, according to the poetry anthology of Wilhelm Müller, Schubert created the first song cycle: Die Schone Mullerin, D.795. Furthermore, after two months, he created the Introduction and Variation for Flute and Piano on “Trocken Blumen” from “Die Schöne Müllerin, which was base on the melody of the Trockne Blumen, the eighteenth song of Die Schone Mullerin, for Ferdinand Bogner, the honorary professor and flautist of Vienna Music Studio. This thesis is a study about the Introduction and Variation for Flute and Piano on “Trocken Blumen” from “Die Schöne Müllerin”, by Franz Schubert(1797-1828). Chapter one the research motive and purpose. Chapter two is about the probation into Schubert’s life and his work styles. Chapter three is about the historical background of Schbert’s Introduction and Variation for Flute and Piano on “Trocken Blumen” from “Die Schöne Müllerin”. Chapter four is an analysis of the song “Trockne Blumen” and Introduction and Variation for Flute and Piano on “Trocken Blumen” from “Die Schöne Müllerin”. Chapter five is an interpretation of the Introduction and Variation for Flute and Piano on “Trocken Blumen” from “Die Schöne Müllerin”. Hope that based on the research of Schubert's Introduction and Variation for Flute and Piano on “Trocken Blumen” from “Die Schöne Müllerin”, readers can understand the importance and uniqueness of Schubert's flute work.