家居幽光：劉安婕創作論述與實踐

Abstract

本文以「家居幽光：劉安婕創作論述與實踐」為題，探索個體在家庭生活中情感的消逝與轉化，通過繪畫創作表現出潛意識中的陰影、角色轉換及情感依附的複雜性。筆者認為，家庭情感中的消逝與存在是一體兩面的，創作不僅記錄了因消逝而引發的悲傷，也反映了對生命及家庭情感的深刻反思。在探討消逝與變化的過程中，筆者試圖尋找情感與家庭關係的本質與存在意義。本論文分為五個章節。第一章涵蓋研究動機、研究範圍與限制、研究方法及名詞釋義；第二章以家庭情感中的陰影與角色投射為核心，探討這些情感如何在藝術創作中得以表現；第三章詳細介紹了筆者的創作理念、技法選擇及實踐過程，包含水墨與膠彩等媒材的使用。第四章則逐一分析每件作品的內容與形式表現，並在第五章中對整體創作與研究歷程進行總結，展望未來更深入的創作方向。

This paper, titled" Glimmers Of Light Found In Family Life：Creative Thesis and Practices Of Liu, An-Chieh’s Art Works" explores the fading and transformation of emotions within the context of family life. Through artistic creations, it expresses subconscious shadows, role transformations, and the complexities of emotional attachment. The author posits that the fading and persistence of family emotions are two inseparable facets of the same phenomenon. The creative process not only records the sorrow triggered byemotional fading but also reflects a profound contemplation on life and family emotions. In examining the processes of fading and transformation, the author seeks to uncover the essence and existential significance of emotions and family relationships.This thesis is divided into five chapters. Chapter One outlines the research motivation, scope and limitations, methodology, and definitions of key terms. Chapter Two focuses on the shadows and role projections within family emotions, exploring how these emotions are expressed in artistic creations. Chapter Three provides a detailed introduction to the author’s creative philosophy, technique selection, and practical processes, including the use of media such as ink and mineral pigments. Chapter Four analyzes each artwork’s content and formal expressions individually. Finally, Chapter Five concludes by summarizing the creative and research process and offering an outlook on future, deeper artistic explorations.