香冷西湖--論姜夔詞中的杭州書寫
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Date
2011-06-01
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國立臺灣師範大學國文學系
Abstract
杭州是姜夔一生居住沈浸最久的地方,因此,姜夔的杭州詞,有必要放大焦點細細窺看。姜夔之詞,今存84闋,關於書寫杭州地景與人事之詞,有27闋。本章擬從「遊賞雅集的空間」、「生存依止的歸處」、「追憶愛情的幽境」、「自然詩意的物景」四個面向,分析姜夔杭州詞中的內容與表徵意義,杭州古城在其筆下的風華面貌,以及詞人心靈和城市融攝的關係。再者,擬從「水墨空靈意趣的運用」、「以少提多的敘事方式」、「清空之質的美學範式」三項,次第闡述姜夔杭州詞的藝術特徵。
Hang-Zhou (杭州) is the place where Jiang Kui (姜夔) lived for the longest period, hence it is necessary to look at his Hang-Zhou Ci poetry carefully. There remain 84 Ci poems written by Jiang Kui, and amongst them, 27 poems concern the land and people of Hang-Zhou. This chapter attempts to analyze the content and symbolic meanings in Jiang Kui's Hang-Zhou Ci poetry from the 4 perspectives: space for play and music, homeland for living, secret place to recollect love, and landscape of poetic nature. In the Ci poems we can behold grandeur of the old Hang-Zhou city and the prehension of his soul with the city. And we shall illustrate his artistic characteristics in his Hang-Zhou Ci poems in the order of: the brush-painting like ethereal taste, the condense writing style, and the luminous and graceful aesthetic pattern.
Hang-Zhou (杭州) is the place where Jiang Kui (姜夔) lived for the longest period, hence it is necessary to look at his Hang-Zhou Ci poetry carefully. There remain 84 Ci poems written by Jiang Kui, and amongst them, 27 poems concern the land and people of Hang-Zhou. This chapter attempts to analyze the content and symbolic meanings in Jiang Kui's Hang-Zhou Ci poetry from the 4 perspectives: space for play and music, homeland for living, secret place to recollect love, and landscape of poetic nature. In the Ci poems we can behold grandeur of the old Hang-Zhou city and the prehension of his soul with the city. And we shall illustrate his artistic characteristics in his Hang-Zhou Ci poems in the order of: the brush-painting like ethereal taste, the condense writing style, and the luminous and graceful aesthetic pattern.