繪畫的視知覺法則-胡毓正豐穰的吐息系列作品之解析與知覺法則的應用研究

Abstract

面對視象與意象之間的關係，人類的認知系統，如何把原本各自獨立的局部訊息串聯整合成一個整體概念？而人類共通的美感形式以及生命內涵是什麼？這些都是本研究的動機，因此本創作研究的目的有：一、在2D藝術創作的表現媒材範疇中，運用完形心理學派知覺法則來進行創作；並對於再現3D視象與意象，能尋求適當的創作策略。二、在不同的環境與思想背景因素下，透過藝術創作能充分表達對生命意義的看法。三、在充分瞭解創作材料的特性及表現技法後，能呈現出理念意涵與美感形式兼具的創作作品。 本創作研究的方法是透過油畫媒材與木口木刻版畫媒材，直接進行繪製創作作品，由於創作涉及諸多的形式問題亦涵蓋多項的美感因素，因此，本創作研究歷程是以完形心理學派的知覺法則作為2D畫面呈現的主要依據，並且透過作品檢視來驗證此學理對創作的影響，作為未來其他創作之參考。Facing the relationship between vision and image﹐how do human，s cognitive system integrates and conforms the individual messages together into a whole concept? And what is the common form of beauty and life connotation? All these are the motives of this research﹐therefore the purpose of the research is : 1. Within the range of media performed in 2D art creation﹐utilize principles of perception of gestalt psychology for art creation; and for recreation of 3D vision and image﹐appropriate creation strategies can be found. 2.Under different factor of background and environment﹐thoughts of meaning of life can be fully expressed. 3.With complete understanding of the characteristics of the materials and demonstration of the techniques﹐works created can fully express the forms of meaning and beauty. The painted work of art is though this research method used with oil painting and wood carving materials and because the work contains many forms of problems and beauty at the same time﹐thus﹐the process of this research is to use the principles of perception of Gestalt psychology as the main gist for the presentation of the 2D and through the examination of work to prove the influence the psychology has﹐as the basis for other creation in the future.