伊達．戈特柯弗斯基《長號協奏曲》作品分析與演奏詮釋

Abstract

伊達．戈特柯弗斯基（Ida Gotkovsky）為二十世紀法國當代傑出及重要的女性作曲家，她作品的數量十分多產，創作類型橫跨室內樂、交響曲、管樂曲、器樂曲、聲樂曲、歌劇，甚至是神劇，除了作為一名音樂教育者外，她還持續不斷地在進行創作，其中也包含了來自各方邀約的委託創作。

《長號協奏曲》是1978年受國立巴黎高等音樂暨舞蹈學院（Conservatoire national supérieur de musique et de danse de Paris）委託，為獨奏競賽所創作，本論文以《長號協奏曲》進行作品的分析詮釋與探究，一共分為五章，第一章為緒論為研究動機、目的與方法；第二章為法國音樂發展概述、伊達．戈特柯弗斯基生平與音樂風格及《長號協奏曲》創作背景與特色；第三章為《長號協奏曲》作品分析；第四章為《長號協奏曲》演奏詮釋；第五章為結論，綜合探討的結果與自身的觀點，期望為國內長號學術方面的研究貢獻一己之力。最後附錄為伊達．戈特柯弗斯基的作品目錄。

Ida Gotkovsky is a prominent and important female composer from France in 20th century. Her repertoire is very multiple, including chamber, symphony, orchestre d’ harmonie, solo piece , vocal, opera, even oratorio. As a music educator, she also keeps composing in her life which contains the commission by everywhere.

Concerto for Trombone and Piano is commissioned for Solo de Concours by Conservatoire national supérieur de musique et de danse de Paris in 1978. This dissertation studies on the analysis, interpretation and research of the concerto. There are five chapters in the dissertation. Chapter one is an introduction about the research motive, research purpose and research method. Chapter two is about the summary of development in French music, the biography of Ida Gotkovsky, her characteristic and style in composition and the background of the concerto. Chapter three is a music analysis through theoretical element. Chapter four is a personal interpretation in performance. Chapter five, the conclusion, is to sum up the result of research and my viewpoint, hope to enrich the domestic academic study on trombone. The appendix is the catalogue of repertoire by Ida Gotkovsky.