借鑑民間書法的當代書藝──柯良志創作論述

Abstract

當「民間書法」一詞被提出後，許多書法工作者開始懷疑學習「經典」的必要性。實際上不應有如此對立的觀念，應是針對創作所需，而醞釀的「補給品」來看待。無論「民間書法」亦或經典的「名家書法」，它們都是創作時可以供給創作者的「補給品」。本創作之系列作品是以「借鑑民間書法」為出發點所延伸發展出的當代書法藝術。 「借鑑民間書法的當代書藝」系列作品有三點創作目的： 一、 將「民間書法」的創作形式或創作概念轉化為自我創作思考，並再現於作品中。 二、 透過一連串的實踐，企圖讓數千年書法藝術的主軸，得以延伸而進入當代藝術領域。 三、 透過實驗與創作，讓部分系列作品得以於國際展覽呈現，期與觀者產生心靈互動。 本篇論述全文分六個部分： 第一章 緒論：主要撰述創作動機、創作目的以及創作方法等。 第二章 創作理論基礎：將民間書法中的兩部份──碑版書法、敦煌遺書部份與當代書寫來檢視、解析「借鑑民間書法的當代書藝」。 第三章 創作理念：說明創作文脈與接觸當代藝術產生過程所發生的理念。 第四章 創作實踐：以形式與內容所造成的激盪與演發並陳述方法、技巧來分析與解釋「借鑑民間書法」的當代書藝系列作品。 第五章 作品說明：共分四個系列呈現與說明。 第六章 結論：說明自我期許及對當代書法藝術的期待。When "Grassroots Calligraphy" has been made, many workers began to doubt calligraphy learning "Classical" necessity. In fact there should not be so antagonistic to the concept of creativity is required to address, and the deliberation of the "supplies" to look at. Whether "Grassroots Calligraphy "or classic "Masters Calligraphy", they are creating will be available to the creators of "supplies". Creation of the series of works is "By Using for Reference of Grassroots Calligraphy" as a starting point, by extension, the development of contemporary art of calligraphy.

Purposes of the creation： First, by taking the creative forms or concept of "Grassroots Calligraphy" into self-creative thinking and reappearance in the works. Second, through a series of practice, in an attempt to allow several thousand art of calligraphy, and can extend into the field of contemporary art. Third, through experiment and be creative, giving part of works to show in an international exhibition, and interact with the audience’s mind.

This study is divided into six parts: Chapter one “Introduction” writes the motivation, the purpose and the way of creating mainly. Chapter two “The Basis of Theory” writes two parts of "Grassroots Calligraphy" with contemporary writing to views and analyses “Contemporary Art of Calligraphy by Using for Reference of Grassroots Calligraphy” Chapter three “The Basis of creation” writes the vein of creative thought and contact with the process of contemporary art. Chapter four “Creative practice” writes the contents, the form and the method of these works. Chapter five “The statement of the works” writes the statement of the works. Chapter six “Conclusion” explains self-expectations and the contemporary art of calligraphy expectations.