失去的邊界-陳佑朋創作論述

Abstract

本論文《失去的邊界》其概念是筆者透過研究故鄉的歷史過程，在父母失去龜山島這個歸宿，集體遷居至台灣本島的過去，筆者透過長輩口述後想像，而察覺的「邊界感」，重新審視筆者的創作脈絡而衍伸出的中心思想。藉由研究「邊界」的相關理論以及定其範圍，透過各種表現手法來呈現無形卻無處不在的邊界，並以現在的角度來觀看自己身處的空間，呈現筆者長時間注視的「場所」。在畫面中透過抽離「人」的形象，使作品產生既親近又疏離的氛圍，而出衍伸出邊界感。期望筆者能夠透過畫面重新認知這些空間，成為筆者創作中的核心理念。本論文一共分為五章。第一章緒論:說明研究動機，研究範圍及限制和研究方法。筆者詳述過去的創作脈絡，並說明與論文主題之相關性，其次分析個人創作方式和使用媒材的創作可能性，透過詳細的計劃來擬定往後的創作形式。第二章無處不在的邊界:是對於邊界等相關理論探討，以研究地理空間的邊界，延伸至現代城市中人們心理的「地界」，分別為可視與不可視的邊界。第三章空間中再現邊界:分析並比較藝術家創作中的邊界相關理念，進而闡述筆者作品創作手法和內容。第四章《失去的邊界》系列:筆者將對此系列的作品個別進行問題研究、方式實踐、畫面描述和作品寓意。最後結論:提出筆者對於個人創作的審視、心得和創作之展望。The concept of this thesis “The Lost Border” is the “sense of border” that the author perceives through the study of the historical process of his hometown. In the past, his parents lost their hometown “Gueishan Island” and collectively moved to Taiwan. He reviews his creative nexus and develops the central idea. The author presents the invisible but ubiquitous border by studying the theories related to “border,” determining its scope, and using various expression techniques. He views the “space” where he is from his current perspective and presents the “place” he has been watching at for a long time. Drawing out the image of “people” gives the works an atmosphere of both intimacy and “alienation,” and then develops the sense of border. The author expects he can re-recognize the space through the screen and let it become the core concept of his creation.There are five chapters in this thesis. Chapter 1 “Introduction” explains the research motive, the scope of the research, and the research method. First, the author elaborates the previous creative nexus and explains the relevance to the theme of this thesis. Second, he analyzes the methods of personal creation and the possibility of creating with different media. He then formulates the further creative forms with detailed plans. Chapter 2 “Ubiquitous Border” discusses the related theories such as borders. Studying the border of the geographic space, and extending to the psychological “border” of people in modern cities. Both of them are visible and invisible borders, respectively. Chapter 3 “Reproduction of Border in Space” analyzes and compares the concepts of artists’ creations related to borders. Furthermore, it explains the creative techniques and content. In Chapter 4 “The Creation Series: The Lost Border,” the author studies the problems, explains the practiced methods, and elaborates the idea of the creations in this series individually. Finally, in the last chapter “Conclusion,” the author reviews the personal creations and proposes the prospect of creations.