樂中有詩，詩中有景，景中有情—以黃好吟古箏作品《台灣燈會》、《心海》為例

Abstract

箏樂作品的題材繁多，作曲家們創造出箏樂欣欣向榮的局面。本文選用以中國古典詩詞為素材之古箏作品作為研究對象，聚焦《台灣燈會》、《心海》這兩首樂曲。黃好吟將詩情、詩景融入於樂曲中，並以古箏彈唱的音樂形式呈現。在箏樂與詩詞的結合下，黃好吟創作出「樂中有詩，詩中有景，景中有情」的箏樂作品。筆者透過文獻回顧、樂曲分析，探討箏樂結合詩詞所創造的空間，兩者之間的互動，以及詩詞吟唱在箏樂作品的意義，並以宏觀視野探討這兩首作品的內涵。箏樂藝術融合詩詞，創作出充滿內涵之作品，是作曲家們將自身感受融入詩詞之意境，並巧妙運用古箏技巧表現詩詞的意涵。演奏者從引用詩詞理解作品的創作樂思，深入感受樂曲背後的所蘊含的意境。以此作為演奏詮釋之基礎，使得音樂演奏更貼近於作者原意的傳達給聽眾。本文歸納整理古箏與詩詞之連結，從古至今這兩項藝術間千絲萬縷的關係。並從古箏作品的樂曲調式、技巧、段落安排等，分析箏樂如何呈現詩詞之意境，以此為演奏家們提供演奏參照。There are numerous themes in guzheng works, and composers have created a thriving scene for guzheng music. This thesis selects guzheng works inspired by Chinese classical poetry as the research object, focusing on two pieces of music, “Taiwan Lantern Festival” and “Surging Thoughts.” Hao-Yin Huang integrates poetic sentiment and landscape into the musical composition performed through guzheng playing and singing. With the fusion of guzheng music and poetry, Hao-Yin Huang creates guzheng compositions embodying the phrase “poetry in music, landscape in poetry, and sentiment in landscape.” Accomplishing through literature review and music analysis, we delve into the realm formed by the fusion of guzheng music and poetry, the interaction between the two, and the significance of poetry chanting in guzheng works while taking a broader perspective to explore the connotation of these two works.The integration of poetry and guzheng music creates pieces rich in connotation, the meaning of poetry expressed by composers who integrate their feelings into the artistic conception of poetry while using masterful guzheng techniques. Performers understand the creative ideas of the works by quoting poetry and deeply feel the artistic conception behind the music. Based on this as the basis for performance interpretation, music performance is closer to the composer’s original intention and conveyed to the audience. This thesis summarizes the interrelationship between guzheng and poetry and delves into their intricate connection from ancient times to the present. It examines how guzheng, through its musical scale, technique, and paragraph arrangement, serves as a medium for conveying the artistic essence of poetry and guiding performers.