身體的變異形態之藝術創作研究
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2021
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本研究主要探討解析當代藝術中以身體為媒介，具有「變異形態」的身體構成，文中涉及「身體」相關的現象學、怪誕、鏡像等研究觀點與思辨架構，透過案例的引證，審視當代藝術中使用「身體的變異形態」之影像構成與視覺語彙的脈絡和表現，剖析潛在的思想邏輯和隱喻意涵。藉由研究探索和實踐分析，審視藝術作品視覺語境所涵蓋的諸多層面，開展文本意義和闡釋的衍生與關係。本論文共有七個章節：第一章「緒論」，概述研究動機目的與範圍架構；第二章「當代藝術中的身體意象」，探究身體意象於社會文化、流行消費、空間科技以及變異形態的發展脈絡和表現形式；第三章「身體意象概念的探究」從現象身體觀、其他身體論述及怪誕意識的探索，延展闡釋「身體的變異」之性質與涵義；第四章「鏡像符徵及相關論述」研究自我形成與他人的「主體間性」等相互關聯，呼應第三章的身體論述，表述使用鏡像的觀點與形式；第五章「變異形態身體－作品創作理念與形式分析」，簡述筆者創作理念，從圖像抽象化構成分析推理變異形態身體作品的邏輯規律性；第六章「變異形態的身體詮釋－作品解析與說明」主要分析與解說筆者的作品與創作；第七章「結論」，總結以身體的變異形態作為媒介與議題的創作，思考省察其視覺意義與研究觀點。
本研究透過文本的研究和具體的創作實踐，以「身體的變異形態」作為筆者藝術創作的主軸和特質，藉由筆者身體思想的詮釋和轉譯，梳理筆者創作中使用「身體的變異」之視覺轉化所反映的時代性關聯。此外透過圖像構成邏輯規律的分析對於變異形態研究的增補，企圖於身體的變異形態之藝術中探尋新的表現視角和創作維度。
關鍵字：身體的變異形態、現象身體、怪誕、鏡像
This research explores and analyzes the transformation and development in contemporary art of the body as a medium that has a “mutation.” The article includes a discussion about concepts and ideologies of the human body such as the perspectives of the phenomenal body, the grotesque, the mirror image, and so on, and sorts out the image function, life connection, metaphorical meanings, and invisible aspects of the “Mutated Body” in some works of art. Through speculation and practical analysis, this study examines various meanings and contexts of the visual works in question and develops the derivation relationship of textual meaning and interpretation.The dissertation consists of seven chapters. Chapter I: Introduction, summarizes and includes the motivation and purpose of the study; it also addresses the issues of the content and scope of the research. Chapter II: Body Image in Contemporary Art, explores the development and interpretation of body image in social systems, consumption culture, space, and technology, and touches on the evolution of mutated forms to bring out the main theme of the thesis. Chapter III: The Research on the Concept of Body Image, interprets the essence, and possible meanings of the mutated body from the perspective of the “phenomenal body” as well as other philosophical body points, and explores the grotesque. Chapter IV: The Symbolic Representation and Related Discussions of Mirror Image, expounds on the interrelationship between self-formation and the “intersubjectivity” of others, extending the argument of the third Chapter while also interpreting ideas and forms of mirroring. Chapter V: Mutated Body: Analysis of Forms and Artist Statement, interprets the author's artist statement and interrogates the logical regularity and expressiveness of the mutated body from the perspective of scientific abstract analysis. Chapter VI: The interpretation of the Mutated Body: Analysis and Explanation of Works, mainly focuses on the relationship between ideas, illustrations, imagery, and creativities of the author's work. Chapter VII: Conclusion, summarizes the proposed opinions and relations of using the mutated body as the representative medium and examines its visual interpretation and research viewpointsThrough textual research and practical study, this thesis uses the Mutated Body as the main creative theme and essence reflected in the artworks under discussion. It sorts out the associations of the “Mutated Body” including the visual transformation of the author's interpretation and the “translation” of the body. In addition, this study attempts to explore new perspectives and creative dimensions in the artistic expression of the mutated body forms by analyzing the principles and logic ofimage formation.KEYWORDS: mutated body, phenomenal body, grotesque, mirror image
This research explores and analyzes the transformation and development in contemporary art of the body as a medium that has a “mutation.” The article includes a discussion about concepts and ideologies of the human body such as the perspectives of the phenomenal body, the grotesque, the mirror image, and so on, and sorts out the image function, life connection, metaphorical meanings, and invisible aspects of the “Mutated Body” in some works of art. Through speculation and practical analysis, this study examines various meanings and contexts of the visual works in question and develops the derivation relationship of textual meaning and interpretation.The dissertation consists of seven chapters. Chapter I: Introduction, summarizes and includes the motivation and purpose of the study; it also addresses the issues of the content and scope of the research. Chapter II: Body Image in Contemporary Art, explores the development and interpretation of body image in social systems, consumption culture, space, and technology, and touches on the evolution of mutated forms to bring out the main theme of the thesis. Chapter III: The Research on the Concept of Body Image, interprets the essence, and possible meanings of the mutated body from the perspective of the “phenomenal body” as well as other philosophical body points, and explores the grotesque. Chapter IV: The Symbolic Representation and Related Discussions of Mirror Image, expounds on the interrelationship between self-formation and the “intersubjectivity” of others, extending the argument of the third Chapter while also interpreting ideas and forms of mirroring. Chapter V: Mutated Body: Analysis of Forms and Artist Statement, interprets the author's artist statement and interrogates the logical regularity and expressiveness of the mutated body from the perspective of scientific abstract analysis. Chapter VI: The interpretation of the Mutated Body: Analysis and Explanation of Works, mainly focuses on the relationship between ideas, illustrations, imagery, and creativities of the author's work. Chapter VII: Conclusion, summarizes the proposed opinions and relations of using the mutated body as the representative medium and examines its visual interpretation and research viewpointsThrough textual research and practical study, this thesis uses the Mutated Body as the main creative theme and essence reflected in the artworks under discussion. It sorts out the associations of the “Mutated Body” including the visual transformation of the author's interpretation and the “translation” of the body. In addition, this study attempts to explore new perspectives and creative dimensions in the artistic expression of the mutated body forms by analyzing the principles and logic ofimage formation.KEYWORDS: mutated body, phenomenal body, grotesque, mirror image
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身體的變異形態, 現象身體, 怪誕, 鏡像, mutated body, phenomenal body, grotesque, mirror image