幻域‧浯洲─金門場域繪畫創作研究
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2011
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本研究旨在探究超現實主義的風格與創作手法，尤其比利時的超現實主義畫家馬格利特（Rene Magritte, 1898-1967）的繪畫語彙，嘗試結合金門在地特色風貌，如戰地遺蹟、閩南古厝、洋樓建築與風獅爺等，繪製筆者所熟悉的家鄉空間場域，進行個人繪畫創作研究。
第一章緒論先說明研究動機，進而提出研究目的，往下界定研究主題與範圍，然後說明研究方法與詳列研究步驟，並將重要名詞加以釋義。
第二章針對超現實主義與金門相關文獻探討創作理念與學理依據。以在地人角度挖掘故鄉對個人創作之影響，分三部份論述：1.浯州歷史遞嬗2.浯州場域風華3.內化的風獅爺信仰。學理依據先探究超現實主義發展脈絡與理念風格，並分析創作手法；下接對於後現代主義多元創作手法的分析。
第三章就創作內容、形式與技法來探究。在創作內容中，分為「戰地奇觀的轉化」與「文化地域的揉和」二面向陳述。創作形式則以「超現實空間」與「複合性物質」來分析。技法上論及超現實主義中寫實描繪的方式，和後現代主義兼容並蓄的挪用與拼貼手法。
第四章就個人創作作品進行解析，分為三方面：戰地遺蹟幻象、人文信仰傳承、自然生態永續。
第五章結論對整體研究作事後評估與檢討，說明待改進部份與可能的進步空間，最末對將來可能的創作研究方向與教學方法提出建議。
The purpose of this study is to explore the style and design of the surrealism with a view to combining Belgian surrealistic painter, Rene Magritte, with Kinmen’s local specialties, such as military legacies, old Minnan houses, western style buildings and wind lion gods. I am familiar with my hometown and then start my painting and study. Chapter 1 introduces the motive, purpose, contents and the scope of the research, and provides an interpretation of terms and methodology. Chapter 2 focuses on the foundation of artistic theories as well as ideas of creation from the surrealism and Kinmen’s related literatures to find out how my hometown influences my painting. Three parts are included in the following:1. Wuzhou’ s history, 2. Wuzhou’s features, 3. The belief in wind lion gods. Chapter 3 researches the creation contents, forms and skills. The contents are divided into two parts: transformation of the military wonders and blending of the cultural region. In practice, surrealistic space and mixed-media methods are employed in the works which combine with the realistic approach of the surrealism and the integration of the postmodernism. Chapter 4 analyzes the works: the imagination of military monuments, succession of the humanistic beliefs, and the lasting of the ecology. Chapter 5 provides a conclusion of the research, personal reflections, possible developmental directions for the future, and the suggestions for the further teaching.
The purpose of this study is to explore the style and design of the surrealism with a view to combining Belgian surrealistic painter, Rene Magritte, with Kinmen’s local specialties, such as military legacies, old Minnan houses, western style buildings and wind lion gods. I am familiar with my hometown and then start my painting and study. Chapter 1 introduces the motive, purpose, contents and the scope of the research, and provides an interpretation of terms and methodology. Chapter 2 focuses on the foundation of artistic theories as well as ideas of creation from the surrealism and Kinmen’s related literatures to find out how my hometown influences my painting. Three parts are included in the following:1. Wuzhou’ s history, 2. Wuzhou’s features, 3. The belief in wind lion gods. Chapter 3 researches the creation contents, forms and skills. The contents are divided into two parts: transformation of the military wonders and blending of the cultural region. In practice, surrealistic space and mixed-media methods are employed in the works which combine with the realistic approach of the surrealism and the integration of the postmodernism. Chapter 4 analyzes the works: the imagination of military monuments, succession of the humanistic beliefs, and the lasting of the ecology. Chapter 5 provides a conclusion of the research, personal reflections, possible developmental directions for the future, and the suggestions for the further teaching.
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Keywords
後現代主義, 超現實主義, 金門, 風獅爺, 馬格利特, Postmodernism, Surrealism, Kinmen, Wind Lion God, Rene Magritte