厭世代的協奏曲—賴冠宇繪畫創作論述

Abstract

隨著時代的與時俱進，現在年輕人面臨科技、資訊媒體爆炸的時代下，所產生的焦慮與不安感由之而來，筆者轉譯透過自身所處的時代空間環境與生活的感知體悟，描繪出這個時代所產生對於社會環境與生活的厭世感。厭世的世代，筆者將之與自身的生活年代做連結，描繪90年代台灣出生的小孩，年輕世代對於人際關係議題的批判與實踐以及大學畢業後面對社會、職場、創作、家庭、人際關係之間的複雜情感所產生對於生活的厭世情節。撰寫內文主要分為五個章節，分別是：第一章–緒論、第二章–厭世代的形塑與建構、第三章–厭世代的藝術語彙、第四章–創作理念與實踐、第五章–結論。筆者透過幽默諷刺的創作手法轉化到繪畫創作當中，探討這世代所面臨的困境與心境。作品的媒材上有版畫、水墨、膠彩、麥克筆等多元的創作媒材與手法，共同交織出一首屬於厭世代的協奏曲，透過紀錄自我生命的歷程的多樣面貌，並重新省思自我的價值與意義認同。With the development of the times, the anxiety and the uneasiness of young people in the era of technology and information knowledge explosion arise involuntarily. The author deals with the weariness of the social environment and the life in this era through his own perceptions and understandings of the society. The author not only associates the generation of weariness with his own generation but also depicts the young generation’s criticism and practice of interpersonal issues in the world-weary plots of life led by the young people born in Taiwan in the 1990s as well as their complex emotions toward society, workplace, creation, family and interpersonal relationship after graduation.The content of the study is mainly composed of five chapters as follows: Chapter 1-Introduction, Chapter 2-The Shaping and Construction of the Generation of Weariness, Chapter 3-The Art Reviews of Works Manifesting the Generation of Weariness, Chapter 4-Creation Philosophy and Practice, and Chapter 5-Conclusions.The author discusses the difficulties and the state of mind that this generation is faced with through his painting creations with humorous and ironic creation techniques. The arts media of the works involve printmaking, ink painting, glue painting, marker pen and other various materials and techniques, which jointly interweaves a concerto belonging to the generation of weariness. By documenting the various aspects of the life course, the author can rethink and reflect on his self-worth and self-identity.