魔幻情境的烏托邦─平面繪畫圖像創作研究
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2012
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夢想，替我們找尋一個目標；夢想，替我們築了一個想像的空間。
人人心中都有都擁有一個對未來無限憧憬的夢想，打造一個屬於自己內心的「烏托邦」。以日常生活中的現成物來編一個屬於自己的幻化美好世界，在真實與虛擬的強烈對比，訴說著筆者的心境，遊走在亦虛亦實的境界，讓筆者瞭解心靈才是豐富的創作內涵。
本研究探討在魔幻情境的烏托邦以平面繪畫圖像創作上的應用，本文共分五章。第一章序論，介紹研究動機與目的、研究方法及範圍與限制。第二章探究創作理念脈絡演變與學理基礎，透過超現實主義的表現形式及象徵主義的寓意與象徵性佐證援引為筆者創作的學理基礎研究。並以與烏托邦風格形式類似的超現實畫派的名家馬格利特、達利及米羅做為分析研究對象。第三章介紹筆者在烏托邦系列作品的內容、形式、表現技法與媒材。第四章則是詳細介紹說明烏托邦系列的十二件作品的創作理念與想法。第五章對本論文作一總結與心得感想。
The dream pursues us to have a goal; the dream builds an imaginary space for us. In everyone’s heart, there is a great expectation in dreaming about their future. This leads us to build an inner imaginary such as the “Utopia.” In our daily life, simple things in life could be made into fantastic world. In strong contrast between reality and illusion, this research describes the author’s mind. The creation randomly selects in the empty and solid boundary which allows the viewers to understand their minds and this is the main points and richness of the connotation in the art creation. The thesis discusses about the imaginary situation of Utopia by creation of paintings. The thesis is divided into five chapters. The first chapter: introduction introduces about the motive, purpose and the scope of the research. The second chapter: explore the creation idea, and the evolution with scientific theory foundation. The author’s creational ideas and research are based on the Surrealism and Symbolism implication. The third chapter: analysis and study famous realism artists, René Magritte and Salvador Dali whose style of creation are similar as Utopia style. The fourth chapter: talk about the author’s series of Utopia creation’s form, content, techniques of works and intermediary materials. The fifth chapter: explanation and analysis of 12 art works of Utopia series. The sixth chapter: conclusion and personal thoughts.
The dream pursues us to have a goal; the dream builds an imaginary space for us. In everyone’s heart, there is a great expectation in dreaming about their future. This leads us to build an inner imaginary such as the “Utopia.” In our daily life, simple things in life could be made into fantastic world. In strong contrast between reality and illusion, this research describes the author’s mind. The creation randomly selects in the empty and solid boundary which allows the viewers to understand their minds and this is the main points and richness of the connotation in the art creation. The thesis discusses about the imaginary situation of Utopia by creation of paintings. The thesis is divided into five chapters. The first chapter: introduction introduces about the motive, purpose and the scope of the research. The second chapter: explore the creation idea, and the evolution with scientific theory foundation. The author’s creational ideas and research are based on the Surrealism and Symbolism implication. The third chapter: analysis and study famous realism artists, René Magritte and Salvador Dali whose style of creation are similar as Utopia style. The fourth chapter: talk about the author’s series of Utopia creation’s form, content, techniques of works and intermediary materials. The fifth chapter: explanation and analysis of 12 art works of Utopia series. The sixth chapter: conclusion and personal thoughts.
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烏托邦, 象徵主義, 超現實主義, 魔幻寫實主義, 潛意識, Utopia, Symbolism, Surrealism, Magic realism, Subconscious