交織･演繹—劉立堅繪畫創作論述

Abstract

在筆者的創作歷程當中，思索如何將作品態樣作根源性的梳理與彙整，透過精心巧妙的舖排，建構兼具形式與內容的多媒材繪畫語彙，朝向獨樹一格的創作理念與思維，憑藉生活經驗超脫圖像視覺的連結，醞釀出轉換融合的新形態繪畫模式。有感於當下社會消費文化形態，反映時代風尚，結合當代流行趨勢，希望以社會視角窺探美學實踐，立足視覺場域，拾起畫筆投向藝術創作的新里程，在極度理性務實的消費文化揉合下，帶來新的視覺衝擊感受。在創作過程中，強調異質並置，和諧而不衝突，形塑空間圖像穿透力，在創新設計模式的表現手法上，掌握媒材特性，以增強視覺傳遞的特殊效果。尋找創作題材，透過景物的描繪與組合，呈現想要表達的內涵，因此，多變化的題材與畫意，豐富的層次與內蘊，用心經營的創作能力，使畫作發揮到淋漓盡致的深層意涵與境界。本論文研究摘要共分五個章節，內容如下：第一章緒論。第二章藝術思維的表述與學理探討。第三章繪畫創作的多元載體與異質混搭。第四章創作實踐與作品解析。第五章結論。希望憑藉著多元視角，在創作議題、媒材運用，風格技法上都能展現多面相且精彩豐潤，饒具特色的創作題材。藉由創作脈絡來檢視和釐清個人的創作方向，期盼這樣的創作動能與想法，能引導探索繪畫的未來發展。In the creative process of the author, I think about how to sort out and organize the appearance of the works fundamentally, and through careful and ingenious arrangement, construct a multi-media painting vocabulary that has both form and content, and move towards a unique creative concept and thinking, relying on the connection between life experience and transcending image vision, brewing a new form of painting mode that transforms and integrates. I am inspired by the current form of social consumer culture, reflect the fashion of the times, and combine it with contemporary fashion trends. I hope to peek into aesthetic practice from a social perspective, base myself on the visual field, pick up the brush and devote myself to a new milestone in artistic creation, integrating it with the extremely rational and pragmatic consumer culture. , bringing a new visual impact experience.In the creative process, we emphasize the juxtaposition of heterogeneous elements, harmony without conflict, and shaping the penetration of spatial images. In the expression techniques of design patterns, we master the characteristics of media to enhance the special effect of visual transmission. Find creative themes, and present the connotations you want to express through the depiction and combination of scenery. Therefore, the varied themes and painting concepts, rich layers and connotations, and the creative ability of careful management enable the paintings to fully express their deep meanings. and realm.The research summary of this paper is divided into five chapters, the contents are as follows: Chapter 1 Introduction. Chapter 2: Expression and academic discussion of artistic thinking. Chapter 3: Multiple carriers and heterogeneous mix-and-match of painting creation. Chapter 4: Creative practice and work analysis. Chapter 5 Conclusion. We hope that with diverse perspectives, we can present multi-faceted, exciting, and distinctive creative themes in terms of creative topics, use of media, and styles and techniques. Examine and clarify personal creative direction through the creative context, hoping that such creative momentum and ideas can guide the exploration of the future development of painting.