蘇菲亞‧古拜杜莉娜的三首大型鋼琴作品之研究與詮釋

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2017

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古拜杜莉娜被當今樂壇視為20世紀後最重要的俄國女性作曲家之一,她的作品不但架構嚴謹,更充滿感性的啟發與訴求。由於她的音樂曾被當時蘇維埃政權批評為"意識不正確",在蕭士塔高維契的鼓勵之下,古拜杜莉娜仍秉持自己的初衷,在創作的道路上繼續耕耘,直到小提琴家基頓克萊曼首演了她的小提琴協奏曲《奉獻頌》(Offertorium)後,古拜杜莉娜終於開始在西方樂壇顯露光芒、隨後並揚名國際,大放異彩。本文將針對她重要的三首大型鋼琴獨奏作品《夏康舞曲》、《奏鳴曲》、《音樂玩具》作一結構與詮釋上的研究探討。論文第一、二章就研究動機、方法、範圍,及古拜杜莉娜的生平逐步作一介紹;第三、四、五章則深入研究這三首大型鍵盤作品的結構與詮釋方法,希望藉此讓國人更加認識這位俄國傑出女性作曲家的鋼琴作品。
Sofia Gubaidulina is considered to be one of the most significant Russian female composers in 20th century. Her music is not only well constructed but full of sensibility and creativity. Her works were once regarded as "incorrect" by the Soviet Union regime. Encouraged by Maestro Shostakovich, Gubaidulina didn’t worry about the stress continued composing with her initial passion and endeavor. Due to the support of Gidon Kremer and his successful world premiere of Gubaidulina’s violin concerto Offertorium in Vienna 1981, she was finally able to showcase her talent to the world and to build up her career. This dissertation focus on the structure and interpretation of her three major piano works:Chaconne, Sonata, and Musical Toys. In the first and second chapters, the author describes the background of her childhood and her educational process. In the last three chapters, the dissertation concentrates on the comprehensive study and interpretation of these three piano works. With this study, the author hopes to expose the public to many amazing works by this distinguished female composer.

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古拜杜莉娜, 夏康舞曲, 奏鳴曲, 音樂玩具, 鋼琴獨奏, 俄國女性作曲家, Sofia Gubaidulina, Chaconne, Piano Sonata, Musical Toys, Russian female composer

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