繪畫表現中關於詩意氛圍之硏究 —金廷修創作論述
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2013
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Abstract
本創作論述主要是探討有關繪畫表現中關於詩意氛圍之硏究，透過研究者之創作實踐與相關學理耙梳整理與歸納，釐清在繪畫裡，內在的詩情與外在的詩意氛圍之繪畫藝術觀及與此有關的個人創作之研究。
詩為有聲之畫，畫為無聲之詩。
東西方歷史中繪畫與詩的關係常被提及，身為一個藝術創作者，將詩意氛圍做為一種型式的繪畫，帶給筆者新的思考方式與創作靈感。
本論述藉由個人學習背景，透過查閱東西方歷史中繪畫與詩關係之討論，預期激盪出另一層的思考。文中將東方美術分為中國傳統水墨畫、中國近現代繪畫、朝鮮水墨畫、韓國近現代繪畫與韓國當代美術來探討表現詩意氛圍之作品。
特別以東方畫論之「詩情畫意」、宋徽宗之「宣和體」與張彦遠之「書畫同體論」爲中心，探究繪畫型式中表現的「詩意」所蘊含之意味，並探討可以視爲姐妹藝術之詩與繪畫所交感表現的作品。
從傳統到現在，畫論大部分是畫家以自己的創作體驗為基礎所著述的實際方法論，所以對於使用東方傳統顔料與傳統韓紙之個人創作作品，「詩意」成為構築本研究主題製作之實質方向與意味，從而探討作品創作過程觸及之問題及其解決方案。
本論述從東方畫論中關於「詩意」的方法論研究開始，探討「詩情畫意」的意義並且透過硏究與分析的方式，將繪畫形式中「詩意氛圍」之抒情性與繪畫性做深入之論述。
最終本硏究透過個人之作品試圖實質地重現「詩意」，並進一步將詩的詠讚性以繪畫的形式表現出來。
This study of creative personal arts treats "the poetic atmosphere (詩意氛圍) " among art e×pression. Through my creative activities and research about related theories, this study reviews the perspective of art about inner "poetic emotion(詩情)"，outer "poetic atmosphere(詩意氛圍) " and related personal arts. "A poetry is a painting with words，a painting is a poetry without words. " There have been many notions about relationship between paintings and poetries in both Eastern and Western history. Being a form of painting, the poetic atmosphere (詩意氛圍) brings me, a creative artist, a new way of thinking and creative sprit. This study e×pects to share another perspective through my study background and literature review of the discussions on relationship between paintings and poetries in Eastern history. It is a Chinese traditional ink painting, Chinese modern& contemporary painting, Korean(Cho-sun Dynasty) ink painting , Korean modern & contemporary painting and studies works e×pressing the poetic atmosphere (詩意氛圍). Especially focusing on the Eastern theory of "Poetry-Emotion-Theme(詩情畫意)" and Song Dynasty Hui-zong(宋, 徽宗)’s "×uanhe style(宣和體)", Zhang,Yan-yuan(張彦遠)’s "Theory of union of painting and calligraphy (書畫同體論)", this study researches the meanings of "Poetic theme(詩意)" e×pressed in forms of painting and reviews works e×pressing the mutual sharing between sister arts or painting and poetry. From tradition to today, most of art theories which have been described based on their own artistic e×periences are substantial and methodological theories. Therefore, in my painting works which used Eastern traditional pigment and Korean traditional paper, "the poetic theme(詩意)" becomes substantial direction and meaning of this study from which this study reviews problems in the process of creative activities and its solution. This study begins with methodological theory about "the poetic theme(詩意)" and discusses the meaning of "the Poetry-Emotion-Painting-Theme(詩情畫意)" and then deeply describes lyricism and artistic characteristics of "the poetic atmosphere (詩意氛圍) " among forms of painting. Finally this study tries to rebuild "the poetic theme(詩意)" through my works, and tries to e×press the praise of poetry through the form of painting.
This study of creative personal arts treats "the poetic atmosphere (詩意氛圍) " among art e×pression. Through my creative activities and research about related theories, this study reviews the perspective of art about inner "poetic emotion(詩情)"，outer "poetic atmosphere(詩意氛圍) " and related personal arts. "A poetry is a painting with words，a painting is a poetry without words. " There have been many notions about relationship between paintings and poetries in both Eastern and Western history. Being a form of painting, the poetic atmosphere (詩意氛圍) brings me, a creative artist, a new way of thinking and creative sprit. This study e×pects to share another perspective through my study background and literature review of the discussions on relationship between paintings and poetries in Eastern history. It is a Chinese traditional ink painting, Chinese modern& contemporary painting, Korean(Cho-sun Dynasty) ink painting , Korean modern & contemporary painting and studies works e×pressing the poetic atmosphere (詩意氛圍). Especially focusing on the Eastern theory of "Poetry-Emotion-Theme(詩情畫意)" and Song Dynasty Hui-zong(宋, 徽宗)’s "×uanhe style(宣和體)", Zhang,Yan-yuan(張彦遠)’s "Theory of union of painting and calligraphy (書畫同體論)", this study researches the meanings of "Poetic theme(詩意)" e×pressed in forms of painting and reviews works e×pressing the mutual sharing between sister arts or painting and poetry. From tradition to today, most of art theories which have been described based on their own artistic e×periences are substantial and methodological theories. Therefore, in my painting works which used Eastern traditional pigment and Korean traditional paper, "the poetic theme(詩意)" becomes substantial direction and meaning of this study from which this study reviews problems in the process of creative activities and its solution. This study begins with methodological theory about "the poetic theme(詩意)" and discusses the meaning of "the Poetry-Emotion-Painting-Theme(詩情畫意)" and then deeply describes lyricism and artistic characteristics of "the poetic atmosphere (詩意氛圍) " among forms of painting. Finally this study tries to rebuild "the poetic theme(詩意)" through my works, and tries to e×press the praise of poetry through the form of painting.
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Keywords
詩意氛圍, 共感, 詩畫, 傳統韓紙, 中韓繪畫, Poetic Atmosphere, Common Emotion, Poetry and Painting, Korean Traditional Paper, hinese-Korean Painting