圖像數位裝飾化之平面設計創作與研究─以郎世寧繪畫元素應用為例

Abstract

人因為追求美感所創造之裝飾化圖像是藝術與生活的橋樑，它的任務是美化人類生活。本研究萃取故宮傳統文物之創意精神及元素，將中國傳統繪畫圖像運用數位設計加以簡化創造成為裝飾化圖像，並應用在生活商品之上，促使文化與產業的融合，使中國傳統繪畫更加生活化以期推廣於國際社會。 此次討論之圖像以平面設計範圍為主。文獻探討部分將「裝飾藝術圖像」依創作媒材、表現內容加以歸類，研究裝飾化的圖像之表現，分析平面設計構成形式原理，並分析郎世寧繪畫圖像元素的種類與特色。將文獻中所述之表現手法與構成原理，應用郎世寧繪畫元素為單元圖形以供實務創作。本文將圖像之視覺簡化方法分為一、平面化。二、視覺化。三、幾何化。裝飾化構成形式包括一、單一圖像的強化、漸變與切割重組。二、多元圖像的整合與效果強化。應用不同構成之美的原則，多方嘗試加以發揮其美感裝飾作用，可將圖像再造成為裝飾化圖像。 作品創作部分，乃藉由歸納結果進行創作。透過製作過程圖示與說明，將創作理念、過程及結果呈現並說明後續研究的可行性與方向。

In pursuit of aesthetics, humans have created decorative images. images beautify our world and act as a bridge between art and everyday life. This discussion shall extract elements of creativity from the cultural relics housed in the National Palace Museum. By use of digital design, Chinese traditional paintings can be simplified to create decorative images, which can be then applied to everyday items. This enables the integration between culture and industry. By bringing Chinese traditional artworks into daily life, they can be more readily promoted to the international community. The main topic of this discussion is graphic design. By reviewing documentations, principles behind graphic design composition shall be analyzed. In order to study their expression, "decorative art images" shall be categorized by their media of creation and content. Works of Giuseppe Castiglione shall be analyzed with regards to the variety and characteristics of the paintings' image elements. Example of an actual creation will be shown by applying the method of expression and principles of composition as described in the documentations, while utilizing Castiglione's image elements as the basis. This discussion categorizes the visual simplification methods of image into three categories: planarizing, visualizing, and geometrizing. Forms of decorative compositions include: (1) enhancement, gradiation, splitting and reordering of a single image and, (2) integration and effect-strengthening of multiple images. Utilizing the aesthetic principle of various compositions to approach different ways of maximizing an image's role in decoration. This way an image can be reused to become a decorative image. Works shall be created by summarzing the discussion result. Through representation of production process with diagrams and descriptions, this discussion will communicate the creative concept, process, and results, and illustrate the possibility for follow-up research.