談德勒茲思想對自我創作之啟發
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2017
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Abstract
本研究將以音樂創作者觀點,淺談當代法國哲學家德勒茲(Gilles Deleuze, 1925-1995)對音樂的思想論述。德勒茲的書寫圍繞了數學、人類學、語言學、物理學、美學等多元範疇,展現超越已知與律則的超越經驗主義。他傾心於各類領域之間的溝通,並發掘新的詮釋角度,以逃離教條化的思維模式。
音樂對於德勒茲而言,是概念的創造,亦是對哲學之理解,在他與瓜達希(Félix Guattari, 1930-1992)合著的《千高台》(A Thousand Plateaus, 1980)中,便充斥著音樂與創生哲學的關係討論。本論文將汲取《千高台》當中〈論疊韻〉(Of the Refrain)章節作為閱讀的基礎,處理德勒茲看待音樂之問題;再進而以音樂創作角度,超越自我習性,重構寫作之脈絡;最後,藉由作品實踐與自省分析來呈現自我的觀點與啟發。
The thesis is talking about the discourse of musical thinking by Gilles Deleuze (1925-1995) in music creator perspective. Gilles Deleuze is a famous contemporary philosopher from France. As a representative person of Transcendental empiricism, he known well in mathematics, anthropology, linguistics, physics and esthetics. He connected different elements of theories and create a whole new thinking and viewpoint. Music is not only a concept of creation, but an interpretation of philosophy for A Thousand Plateaus (1980), which were written by Deleuze and Félix Guattari, are talking about the relationship between the music and Philosophy of creation. In this thesis, we are trying to rebuild and reorganize the concept of music composing as a music creator base on the musical opinion of Deleuze in Of the Refrain, which is a chapter in A Thousand Plateaus. Finally, we realize a new perspective and inspiration by showing my new work.
The thesis is talking about the discourse of musical thinking by Gilles Deleuze (1925-1995) in music creator perspective. Gilles Deleuze is a famous contemporary philosopher from France. As a representative person of Transcendental empiricism, he known well in mathematics, anthropology, linguistics, physics and esthetics. He connected different elements of theories and create a whole new thinking and viewpoint. Music is not only a concept of creation, but an interpretation of philosophy for A Thousand Plateaus (1980), which were written by Deleuze and Félix Guattari, are talking about the relationship between the music and Philosophy of creation. In this thesis, we are trying to rebuild and reorganize the concept of music composing as a music creator base on the musical opinion of Deleuze in Of the Refrain, which is a chapter in A Thousand Plateaus. Finally, we realize a new perspective and inspiration by showing my new work.
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德勒茲, 千高台, 論疊韻, 解疆域化, 無器官身體, Gilles Deleuze, A Thousand Plateau, Of the Refrain, De-territorialization, Body without Organs