心遊萬仞─吳書丞水墨創作論述
Abstract
「心遊萬仞」創作論述，是筆者從生活所遇見的種種景象，包括聽覺、視覺、觸覺等，所觸發的各種感受，以及心中的感覺，再透過繪畫記錄下來，創作概念的核心為「遊」，藉由「遊」的概念，「遊」於生活，以及「遊」於創作中。
創作中，創作者從各方面去推敲，使用各種手法、觀念，從繪畫創作上探究繪畫技巧與畫面構成，試圖建立自己的創作風格，本文創作論述以第壹章「緒論」闡述個人之研究動機與目的、研究內容與範圍、研究方法、名詞解釋。第貳章「創作理念與學理依據」，以「遊之轉譯」、「遊之意象記憶」、「虛實觀之於遊」、「遊之想像與創作結合」探討筆者創作上所運用的相關理論，以建立個人的創作思維。第參章「形式與風格」以「渴筆的演變與運用」、「佈白空間的運用」、「虛實互補與計白當黑」探究繪畫形式技法與演變，並闡述筆者的創作形式。第肆章「作品說明與分析」分析每一幅畫作的創作理念及創作形式。第伍章「結論」敘述本次創作研究的「研究心得」及「未來期望」。
The discourse and creation are from what the author met from the scenes of life, including auditory, visual, tactile, and so on. The author was stimulated by all kinds of feelings and then created the paintings from the hearts of feeling. The author’s creativity concept is "expedition". The author scrutinized things from all the aspects for creating. He used a variety of techniques and ideas to explore painting techniques and images from the painting constitute and attempt to establish his own creative style. The study includes the research motivation, interpretation, purpose and research methodology in the first chapter. Creative ideas and theoretical framework are in the second chapter. The author explored the techniques and evolution of painting to interpreted his own creation style in the third chapter. The author analyzed each painting for creative ideas and creative forms in the fourth chapter. Finally, the author discussed the reflection on his research and his future expectations in the fifth chapter.
The discourse and creation are from what the author met from the scenes of life, including auditory, visual, tactile, and so on. The author was stimulated by all kinds of feelings and then created the paintings from the hearts of feeling. The author’s creativity concept is "expedition". The author scrutinized things from all the aspects for creating. He used a variety of techniques and ideas to explore painting techniques and images from the painting constitute and attempt to establish his own creative style. The study includes the research motivation, interpretation, purpose and research methodology in the first chapter. Creative ideas and theoretical framework are in the second chapter. The author explored the techniques and evolution of painting to interpreted his own creation style in the third chapter. The author analyzed each painting for creative ideas and creative forms in the fourth chapter. Finally, the author discussed the reflection on his research and his future expectations in the fifth chapter.
Description
Keywords
心遊萬仞, 虛實, 渴筆, 佈白, Beyond the Boundary of Time and Space, reality and fantacy, dry brushstroke, blank-leaving