客·遇―台灣苗栗客庄風情 林明燕繪畫創作研究

Abstract

本論文是以臺灣苗栗客庄人文風情意象的象徵性與情感等作為繪畫創作的 探討與研究對象。筆者希望能把自己對生活的體驗融入在藝術創作裡，為客家意象和歲時慶典留下深刻視覺圖樣，做為生命中真實的紀錄。本研究是藉由油畫、壓克力與複合媒材等來實驗新技法，以理論與創作並重之方式進行論述，呈現的意象除了是對物象重新整理後的形式再現，也反映出筆者對鄉土的思念以及美感的經驗。希冀透過鄉野訪查和史學文獻來吸收創作的養分，以自己的藝術語言來訴說自己的懷鄉心事。從中西美學裡探討創作表達方式，來詮釋筆者創作理念之發展與形成。透過此創作經驗之呈現與自我評析省思，將苗栗𪹚龍、花布等客庄文化符號表現出來，讓作品與觀者之間有更多元的共鳴與思考，做為重新審視客庄生活的真實感應，尋找新思想與新觀點，創作出屬於個人特色之作品與未來的創作方向。更期盼能引起鄉土認知與關懷之效果，透過詳述記錄、分析創作過程經驗，期許將有助於他人在類似情境中處理相關藝術問題時之參考。The series of countryside landscape named “ Hakka Reunion” demonstrates the researcher’s attitude toward the symbols and feelings about Hakka culture of Taiwan Miaoli. In this study, the researcher tries to express the thought of life experience about preserving the beautiful vision of the Hakka image and the celebration of festivals toward the researcher’s art creation. By utilizing oil painting, acrylic, and Mixed Media, the researcher made a series of the art forms about the new technology to express the researcher’s profound sentiment to the hometown. Except doing the survey of the local art, the creation elements are derived from those performance forms of the eastern and western philosophy and the art. In this process, the researcher tries to interpret the creative ideas and experience through the Hakka Cultural presentation of Miaoli bombing the dragon and Hakka fabric as the inner self-evaluation. From the study and the creations, the researcher hopes to bring the awareness of the Hakka people’s collective memory and the observer’s new reflection. Also, the researcher looks forward to causing the effect of more Hakka cultural quality and expanding the creative connotation and possibility in the future. Through the detailed records, analyses and creations, may it be the helpful and worth of reference to others who are in similar situations.