鯊進經典-水墨異時空的碰撞

Abstract

本研究從異時空碰撞產生的環境背景和哲學思考開始，探討經典與當代的碰撞和衝擊，並思考創作策略的實驗及實踐方法，亦試用圖像學方式敘述、分析、詮釋系列作品。 以虎鯊實體置於玻璃箱中的藝術家是Damien Hirst 1992在紐約美術館裡展示的作品，我們發現到後現代與當代藝術的其他特質，由結構到解構-重組，從主題、實物、到科技、材料和呈現方式、展示概念，隨著生活環境、介面的神速改變，連藝術的定義範疇也大相逕庭。 由鯊魚相關特質的研究，發展到與傳統經典構圖的創作接合，再發展到回視百年來水墨畫家的大分類與思考日後研究專題的繼續發展方向。

This research starts from the environment background and the philosophy thinking of which the collision of different timespace creats.To confer the collision and impact between classic and contemporary, and consider the experiment and fulfillment method of creation strategy, I also use iconology to describe and analyze the whole series of work. The artist Damien Hirst whom placed the entity of tiger shark within a box of glass ,of which was displayed 1992 in the art museum in New York 1992, With this piece of art ,we found some other characteristics of postmodern and contemporary art. From construct to deconstructics and reconsstuct, from topic and real object to technology materials, ways of presentation and the concept of demonstration.With the change of living environment and interface, even the definition of art came to a great difference. By the research of shark related characteristic, develop to the connection with the creation of traditional classic composition, then develop into a direction in the days to come to the ink painter is big classification and thinking.