薇薇安．魏斯伍德(1941~)服飾創作美學之研究
| dc.contributor | 陳瓊花博士 | zh_TW |
| dc.contributor | Jo Chiung-Hua Chen | en_US |
| dc.contributor.author | 林佳慧 | zh_TW |
| dc.contributor.author | Chia-Hui Lin | en_US |
| dc.date.accessioned | 2020-12-10T03:37:57Z | |
| dc.date.available | 2011-8-25 | |
| dc.date.available | 2020-12-10T03:37:57Z | |
| dc.date.issued | 2006 | |
| dc.description.abstract | 薇薇安．魏斯伍德（1941~）是時裝界最受歡迎和最重要的服裝設計師之一。本研究論文－薇薇安．魏斯伍德服飾創作美學，透過服飾文化與魏斯伍德創作背景，說明她從1971－1996年服飾創作動機由來、表現方式以及後現代主義風格。 魏斯伍德的服飾系列研究者歸納為龐克服飾系列、融入異元素服飾系列、傳統歷史服飾系列、成熟時期服飾系列。早年時期，魏斯伍德與馬克賴倫一起合作，帶動了龐克風潮，對20世紀中後期的時裝、音樂、繪圖設計，都造成極大的影響。讓引人注目的龐克服飾，震驚了大眾，同時也吸引了年輕的買者。融入異元素服飾系列，採用各國風俗文化圖騰、色彩和電影的影響。傳統歷史服飾系列，魏斯伍德受到歷史服飾像馬甲、裙撐、格子呢、哈里斯斜紋呢、古典繪畫的影響。雖然魏斯伍德也喜愛傳統的英國織品，但她卻經常蓄意地諷刺和挑釁英國味。成熟時期服飾系列，以非常女性化的古典服飾做設計，也是技巧的集大成。 總之，魏斯伍德在服飾設計中結合許多的元素，包括像街頭文化、女權運動、傳統歷史、美術、電影和音樂。魏斯伍德總是喜歡去發掘必須革新的事物，因此她在服飾設計上，自主性的動力不曾停歇過。同時，魏斯伍德服飾公司，每年持續獲得廣大的市場。由於魏斯伍德與生俱來不斷挑戰自己的衝勁與影響，樹立她在時裝界中，不可磨滅的成功地位。 | zh_TW |
| dc.description.abstract | Vivienne Westwood（1941~）is one of the most popular and important fashion designers in the world. A study of clothing aesthetics of Vivienne Westwood， basically emphasizes on the cultures of clothing and backgrounds of designing to explain Westwood's creating motives and expressing post-modernism styles from 1971 to 1996. The clothing of Westwood are generalized five collections by the researcher, including the collections of punk, foreign elements, traditional history, and mature techniques. During the early time, Westwood and McLaren cooperated with each other on the punk movement that caused enormous influences such as fashion, music and graphic design in the middle and late periods of the 20th century. The dramatic punk clothes shocked the public, and attracted youthful buyers. The collections of foreign elements used foreign cultures, images, colors of the clothes, and the effect of Western films. The collections of traditional history Westwood was roused by the past of historical dresses, like corset, crinolines, tartans, Harris Tweed, classical paintings. Even though she loved traditional British fabrics, still deliberately parodied and provoked the British. The collections of mature techniques were designed very feminine dresses from classical clothing, and Westwood also integrated all skills to re-create new styles. In sum, the idea of Westwood combines many different elements like street cultures, women's movement, traditional history, fine art, movies, and music. Westwood always finds something that she likes to innovate, so her autonomous momentum in designing clothing is not resting. At the same time, Vivienne Westwood Ltd. continues getting mass marketing every year. As a result of Westwood's innate power from constantly challenging herself succeeds in establishing the indelible status of fashion. | en_US |
| dc.description.sponsorship | 美術學系 | zh_TW |
| dc.identifier | GN0092603007 | |
| dc.identifier.uri | http://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22GN0092603007%22.& | |
| dc.identifier.uri | http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/114819 | |
| dc.language | 中文 | |
| dc.subject | 薇薇安．魏斯伍德 | zh_TW |
| dc.subject | 服飾創作美學 | zh_TW |
| dc.subject | 後現代主義 | zh_TW |
| dc.subject | 龐克 | zh_TW |
| dc.subject | Vivienne Westwood | en_US |
| dc.subject | clothing aesthetics | en_US |
| dc.subject | post-modernism | en_US |
| dc.subject | punk | en_US |
| dc.title | 薇薇安．魏斯伍德(1941~)服飾創作美學之研究 | zh_TW |
| dc.title | A Study of Clothing Aesthetics of Vivienne Westwood(1941~) | en_US |