花間漫遊—劉金治繪畫創作研究

Abstract

花，作為一種短暫而獨立自在的生命體，它們很普遍地存在於我們的日常，總能沉靜而有力地傳達情感，並且觸動人們最深層的感知。觀看一朵花，也正觀看著綻放、枯萎和消逝的時間記憶。筆者從觀照「花朵的有限時間」出發成為創作動機，以「枯萎的詩意美學」作為創作的核心，用「漫遊者」的視角，觀看世界、關懷生命。花間是人間的縮影。時間的流變，見證花朵的枯萎與事物的消逝，使人感受「年年歲歲花相似，歲歲年年人不同」的人間現象。對於生命本質的探討以繪畫創作的美感詮釋，表達時間與感知的相對性；呈現花朵由不同時間，不同角度觀看的多種面向，期以藝術表現的形式帶出一種正向與療癒的力量。本篇論文共分五個章節，第一章緒論，說明研究動機與目的、研究方法和範圍。第二章花隱花現，從學理中深入探討生命的存有與虛無，紛亂與和諧。並解析各時代藝術家的作品。第三章藝術與生命的對話，說明「花間漫遊」之創作核心、創作內容與形式。第四章創作實踐，闡述理念、媒材、技法，並對作品做深度的剖析。第五章結論，檢視創作過程的內心轉折與未來在藝術創作路上的前瞻與展望。

Flowers, as fleeting and independent life forms, are ubiquitously present in our daily lives, silently yet powerfully conveying emotions and touching our deepest perceptions. Observing a flower is akin to witnessing the passage of time—its blooming, withering, and eventual disappearance. This thesis begins with the contemplation of the"finite time of flowers" as a creative motivation, focusing on the "poetic aesthetics of withering" as the core of the work, and adopting the perspective of a "wanderer" to view the world and care for life. The world within the flowers is a microcosm of the human world. The flow of time witnesses the withering of flowers and the disappearance of things, making one feel the human phenomenon of "the flowers are the same year after year, but people are different each year." This exploration of theessence of life is interpreted through the aesthetic of painting, expressing the relativity of time and perception. The thesis presents various perspectives of flowers observed from different times and angles, aiming to bring forth a positive and therapeutic force through artistic expression.This thesis is divided into five chapters. Chapter One, the Introduction, outlines the research motivation, objectives, methodology, and scope. Chapter Two, The Hidden and Manifest Nature of Flowers, delves into the philosophical exploration of existence and nothingness, chaos and harmony, and analyzes the works of artists across different eras. Chapter Three, The Dialogue Between Art and Life, discusses the core concept, content, and form of the creative endeavor titled Wandering Among Flowers. Chapter Four, Creative Practice, elaborates on the ideas, materials, and techniques involved, with an in-depth analysis of the artworks. Chapter Five, the Conclusion, reflects on the internal transformations experienced during the creative process and offers insights and prospects for future artistic endeavors.