男子室內拔河運動技術想像、創新與實踐之生命敘說與反思

Abstract

本研究以研究者自身為尋求拔河技術創新，在科學、知識管理、身體實踐哲學與想像間返復尋找答案之生命經驗，採取基進反思的方式進行自敘與團體共敘，於知識管理之角度，將男子拔河技術想像、創新至實踐，依技術流變、技術動作形態流變內涵、戰術演變、技術體感語彙的選擇與實踐、我的技術、戰術、身體概念與心理狀態的演變，與外在的選才機制與體重運用等十個面向之時間歷程與流變內涵與脈絡，綜整成技術之溯源與流變、體感技術語彙之選擇、我的身體蹤跡、技戰術之想像與創新與實踐等四個層面，進行男子室內拔河技術知識的轉化與分享。再依基進反思的精神從中反思研究者自身對身體概念的掌握與形成歷程，在神經認知語言學、國術與武俠的身體極限想像中，於科學與哲學、身體與實踐、語言與感知、教練的看與選手的做之間之落差尋找可能的連結路徑與實踐方法，試圖進入非思的技、戰術身體實踐與一窺拔河技術本質之奧義。最後，在自我反思與澄清之後，以「亡命之徒」做為代表臺灣非亞奧運項目之男子拔河運動中，教練與選手最無奈的生命之歌。期望本研究分享之拔河技術知識，能作為國內、外對拔河運動有興趣之教練與選手從事訓練時之參考，亦希望能為運動身心實踐研究，帶來一個不同的想像路徑。This thesis focused on the experience of the author himself as a tug-of-war coach and his technical imagination, innovation and realization of the indoor tug-of-war. From the point of view of knowledge management, we analyze the narration of the researcher himself and a collective group in a radical reflection. This research showed explicitly the historical development of the skills used in the Taiwan men indoor tug-of-war, the contents of the changes in the techniques, the choice and realization of the instructions of the sense of body technical movements, and the innovation and the tracks of realization of the skills and tactics. We also externalized the corresponding technical knowledge of the man's indoor tug-of-war sports, retrospecting the process of how the control and formation of the sense of body of the researcher himself and ways of realization technical intuitive body movements. Furthermore, in the limitless body imagination of the martial arts, we explored the possible connective approach and ways of realization between the gaps of: science and philosophy, body and movement, language and perception, and what the coaches see and how the athletes do. We concluded that the song titled "desperado" best represents the helplessness the men indoor tug-of-war coaches and athletes faced in Taiwan non-Asian/ non-Olympic Games sports.