《聽見臺中》創作暨多媒體音樂會線上展覽實務報告
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Date
2023
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Abstract
《聽見臺中》創作暨多媒體音樂會是一場設計以共融藝術為概念的演出，內容方面結合臺中的傳統人文、名勝古蹟、在地美食以及原民文化等多樣元素，演出形式除了傳統的舞台表演之外，結合多媒體的影像還有北管樂團的轎前吹和泰雅族原住民舞蹈。此次演出以大墩國樂團為首，邀請南屯景樂軒和泰雅原舞工坊兩個團體，首次嘗試全曲目皆以臺中地方特色為主題的曲目進行演出。音樂藝術原本就是時間線性的產物，再加上這三年來全球疫情的影響，觀眾聆賞的形式徹底改變，大家更趨向於線上觀看表演與展覽，因此筆者藉此轉變將音樂會的內容和素材收錄於網站，不僅將觀眾的記憶延長，亦可讓在地文化的傳播更加廣泛，進而設計此次線上展覽。
"Hearing Taichung" Creation and Multimedia Concert is a performance designed with the concept of inclusive art. In terms of content, it combines various elements such as Taichung's traditional humanities, scenic spots and historical sites, local cuisine, and aboriginal culture. The performance is in addition to traditional stage performances. In addition, combined with multimedia images, there are also the sedan chair blowing of the Beiguan Orchestra and the dance of the Atayal aboriginal people, led by the Dadun Chinese Orchestra, invited two groups, Nantun Jinglexuan and Atayal Yuan Dance Workshop, to perform for the first time all repertoires with Taichung local characteristics as the theme.Music art is originally a time-linear product. Coupled with the impact of the global epidemic in the past three years, the form of audience listening has completely changed. People tend to watch performances and exhibitions online. Therefore, the author uses this to change the content and materials of concerts. Recording on the website not only prolongs the memory of the audience, but also spreads the local culture more widely, and then I plan to design this online exhibition.
"Hearing Taichung" Creation and Multimedia Concert is a performance designed with the concept of inclusive art. In terms of content, it combines various elements such as Taichung's traditional humanities, scenic spots and historical sites, local cuisine, and aboriginal culture. The performance is in addition to traditional stage performances. In addition, combined with multimedia images, there are also the sedan chair blowing of the Beiguan Orchestra and the dance of the Atayal aboriginal people, led by the Dadun Chinese Orchestra, invited two groups, Nantun Jinglexuan and Atayal Yuan Dance Workshop, to perform for the first time all repertoires with Taichung local characteristics as the theme.Music art is originally a time-linear product. Coupled with the impact of the global epidemic in the past three years, the form of audience listening has completely changed. People tend to watch performances and exhibitions online. Therefore, the author uses this to change the content and materials of concerts. Recording on the website not only prolongs the memory of the audience, but also spreads the local culture more widely, and then I plan to design this online exhibition.
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共融藝術, 大墩國樂團, 南屯景樂軒, 泰雅原民舞蹈, 多媒體影像, Inclusive Art, Dadun Chinese Orchestra, Nantun Jingle Pavilion, Atayal Aboriginal Dance, Multimedia