許常惠與楊喚的相遇——許常惠作品23號《楊喚詩十二首》之研究

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dc.contributor席慕德zh_TW
dc.contributorPhyllis M. T. Hsien_US
dc.contributor.author林亞璘zh_TW
dc.contributor.authorLIN, YA LINen_US
dc.date.accessioned2019-09-06T00:57:17Z
dc.date.available2012-6-21
dc.date.available2019-09-06T00:57:17Z
dc.date.issued2012
dc.description.abstract2011年是許常惠教授逝世十週年紀念，許教授是近五十年來對台灣音樂現代化、國際化，以及民族音樂之研究保存有著卓越貢獻的台灣音樂界奇人。基於對許教授的景仰，同時深受家父——台灣戰後第一代詩人及作家——林鍾隆先生及於師大音樂研究所碩士專班學習期間，恩師席慕德教授教導德文藝術歌曲的影響，引發作者將音樂與文學結合在一起的歌樂研究的興趣，經過一番探索旅程，遂有本詮釋報告之產生。 本詮釋報告係以許常惠作品23號——《楊喚詩十二首》為研究標的，透過文獻探討法及比較分析法，期望透過將蓃集得來的文獻資料加以整理、分析及比較，得以更深入地了解許常惠教授與詩人楊喚的生平、著作及在音樂與文學方面的成就與影響，進而再針對研究主題（許常惠的音樂與楊喚的詩的相遇）的結合加以進一步說明，同時提出個人對演唱及詮釋許常惠作品23號之心得及看法。 經過本詮釋報告的研究，我們可以明顯看出許常惠教授在法國學成歸國後，是以巴爾托克為努力的楷模，致力於將中國的音樂素材與西洋的作曲技法作完美的融合。一字一音仍為研究標的最常見的手法，忠於原詩也在研究標的中清晰可見許教授的一貫風格。於此同時，許教授嘗試各種不同風格以各種不同的語法來呈現每首詩，對於每首詩皆相當用心的經營，以致讓每一首作品皆有不同樣貌，豐富了演唱者的技巧及內涵，誠屬難能可貴。zh_TW
dc.description.abstract2011 symbolizes 10th anniversary of the death of Professor Hsu Tsang Houei, a legendary figure in Taiwan’s music circles, who has remarkable contributions in globalization and modernization of Taiwanese music, along with preserving Taiwanese folk music and upgrading the status of local music artists, for the past 50 years. Admiring Professor Hsu, and influenced by my father, Mr. Lin Chung Lung, 1st generation writer and poet after World War II in Taiwan, as well as encouraged by Ms. Hsi Mu Teh, Professor of Music Department in NTNU and my instructor during my study in the Graduate Program of Music in the past six years, I began the long journey in researching how literature (poetry) and music (song and melody) can be combined in music works. This interpretation report focuses on the study of research subject matter, i.e., (set to music by 12 POEMS OF YANG-HUAN——HSU TSANG-HOUEI Op. 23). Through comparative and bibliographical approach, this interpretation report intends to analyze the research subject matter via the materials collected for the poet Yang Huan and Professor Hsu, including but not limited to their tune styles, how such works shall be interpreted in songs, etc. Through this interpretation report, it is discovered that following the French folk music scholar, Mr. Constantin Brailoiu, Professor Hsu did achieve in combining Chinese music elements and western melody composition skills, which can be clearly seen in the research subject matter reflecting the method of one-word-one-note. In addition, Professor Hsu was very loyal in reflecting the true spirit of Yang Huan’s poetry in the research subject matter and worked very hard in giving each piece of work a unique picture by different styles and syntax, which has enriched not only thoughtfulness but also singing skill for singers who interpret the research subject matter.en_US
dc.description.sponsorship音樂學系zh_TW
dc.identifierGN0093613015
dc.identifier.urihttp://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22GN0093613015%22.&%22.id.&
dc.identifier.urihttp://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/108351
dc.subject許常惠zh_TW
dc.subject楊喚zh_TW
dc.subject許常惠作品23號zh_TW
dc.subject《楊喚詩十二首》zh_TW
dc.subject我是忙碌的zh_TW
dc.subject鄉愁zh_TW
dc.subject小時候zh_TW
dc.subject雨zh_TW
dc.subject二十四歲zh_TW
dc.subject垂滅的星zh_TW
dc.subject醒來zh_TW
dc.subject失眠夜zh_TW
dc.subject船zh_TW
dc.subject雨中吟zh_TW
dc.subject我歌唱zh_TW
dc.subject椰子樹zh_TW
dc.subjectHsu Tsang Houeien_US
dc.subjectYang-Huanen_US
dc.subjectHSU TSANG-HOUEI Op. 23en_US
dc.subject12 POEMS OF YANG-HUANen_US
dc.subjectI’m busy arounden_US
dc.subjectNostalgiaen_US
dc.subjectWhen I was littleen_US
dc.subjectDrizzleen_US
dc.subjectI’ m 24en_US
dc.subjectDying Staren_US
dc.subjectAwakingen_US
dc.subjectA Night I cannot fall asleepen_US
dc.subjectBoaten_US
dc.subjectSinging in the Rainfallen_US
dc.subjectI singen_US
dc.subjectA Coconut Treeen_US
dc.title許常惠與楊喚的相遇——許常惠作品23號《楊喚詩十二首》之研究zh_TW
dc.titlePerfect Combination of Poem and Music --A Study of 12 POEMS OF YANG-HUAN HSU TSANG-HOUEI OP 23en_US

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