回憶中牽絆─王心穎繪畫創作研究
No Thumbnail Available
Date
2018
Authors
Journal Title
Journal ISSN
Volume Title
Publisher
Abstract
本創作研究由筆者自身的生活經驗出發,回憶、反思與探究自我,探尋筆者內心牽絆之情。以恐懼為回憶的觸發點,探討自己成長過程的內心轉變與筆者回憶中的牽絆。在回憶裡找尋自我,透過創作作品回歸、紀錄與紀念筆者生命中的牽絆,來達到心靈的寄託。
第一章緒論,說明了此論文主題的研究動機與目的,並訂定了研究方法、架構與研究範圍和限制。
第二章文獻探討與學理基礎,以自身回憶與經歷出發,從心理學的角度探討自身成長的內心變化,在延伸出內心的恐懼之心裡,並且探討恐懼為人類情感的出發,透過心理學的思維探究恐懼之心理如何產生與對我們的影響,並探討藝術家如何透過繪畫的表現安撫內心的恐懼或面對自己內心的恐懼。此章節也探討藝術家如何透過象徵與符號表達畫作的寓意,並且探討與筆者相關的繪畫風格與理念的超現實主義。
第三章創作實踐,說明筆者的創作理念、內容、表現形式與技法和媒材的應用。在說明筆者的創作模式與歷程中,述說筆者以透過自己的繪畫創作來表現內心的恐懼,並表現因恐懼而產生的牽絆如何影響筆者的內心成長。
第四章作品說明與解析,進一步的說明每一件作品之創作內容與形式,如何透過不同的象徵與符號表達出每件作品的故事與寓意。
第五章結論,筆者總結此創作研究的研究成果及創作心得。
This study sets out from the author’s own life experience. The author recalls, reflects and explores in seeking for her own value in life, and also to find the bonds within the author’s heart and mind. Fear, as a trigger point of recalling memories, the author explores the transformations within her spirit and soul in the process of growing up, and to seek her bonds in life. The author attempts to find her initial self through her memories, and to record, commemorate those who are in the author’s live or in memory of those who had been through her creative artworks. Chapter One, Introduction. This chapter explains the motivation and purpose of this thesis. The author also establishes the research methods and area of study. Chapter Two, Literature Review and Fundamental Concepts. The author looks back to her memories and experience in the perception of psychology. From there she realizes the fear that hunts her past and present, which leads to the further discussion of fear in a broader view. Fear as the fundamental base of human emotions, the author attempts to seek how fear was formed and how it influences us through the studies of psychology. The author also explores how artists perceive fear, as in to appease or face their inner fear. In this chapter, the author also investigates the use of symbol and sign within artworks. Also, to explore the artistic style and philosophy of Surrealism, which relates and influences the author’s artworks. Chapter Three, Creative Practice. The author explains the concept, content and form of style and medium the author uses in her works. Through illustrating the process of creating the author’s artworks, she also explains how she illustrates her inner fear through her works and how that fear influenced her through out her life so far. Chapter Four, Artwork Analysis. This chapter explains each painting’s content in detail of the usage of symbol and icons in expressing the author’s thoughts, feelings, and stories. Chapter Five, Conclusion. The author summarizes the achievements of this research and expresses her thoughts towards this creative research.
This study sets out from the author’s own life experience. The author recalls, reflects and explores in seeking for her own value in life, and also to find the bonds within the author’s heart and mind. Fear, as a trigger point of recalling memories, the author explores the transformations within her spirit and soul in the process of growing up, and to seek her bonds in life. The author attempts to find her initial self through her memories, and to record, commemorate those who are in the author’s live or in memory of those who had been through her creative artworks. Chapter One, Introduction. This chapter explains the motivation and purpose of this thesis. The author also establishes the research methods and area of study. Chapter Two, Literature Review and Fundamental Concepts. The author looks back to her memories and experience in the perception of psychology. From there she realizes the fear that hunts her past and present, which leads to the further discussion of fear in a broader view. Fear as the fundamental base of human emotions, the author attempts to seek how fear was formed and how it influences us through the studies of psychology. The author also explores how artists perceive fear, as in to appease or face their inner fear. In this chapter, the author also investigates the use of symbol and sign within artworks. Also, to explore the artistic style and philosophy of Surrealism, which relates and influences the author’s artworks. Chapter Three, Creative Practice. The author explains the concept, content and form of style and medium the author uses in her works. Through illustrating the process of creating the author’s artworks, she also explains how she illustrates her inner fear through her works and how that fear influenced her through out her life so far. Chapter Four, Artwork Analysis. This chapter explains each painting’s content in detail of the usage of symbol and icons in expressing the author’s thoughts, feelings, and stories. Chapter Five, Conclusion. The author summarizes the achievements of this research and expresses her thoughts towards this creative research.
Description
Keywords
回憶, 牽絆, 恐懼, 象徵, 符號, 超現實主義, Recall, Bond, Fear, Symbol, Sign, Surrealism