小型文創展覽空間設計與研究-以青田十六空間實驗創作為例
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2013
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文化創意產業之發展，旨在將創意作品結合在地文化，並透過了設計包裝與注入時代背景，使之與人們的心靈更為親近；為了彰顯從歷史中再出發之意境，通常會伴隨著舊建築與閒置空間再利用的導入，使商品擺脫了精品名店給人的距離感，更具有親和力與吸引力。回顧國內對於文創展覽空間的推動，多屬於較大型，且為公辦民營方式，鮮少有較小型可以提供新一代創作人，可一試身手鋪陳的場所，有名的設計師身價飛漲，而無展演機會的新手，只能默默在基層耕耘或轉行投入其他產業，令人婉惜；因此本研究的主要目的，在探討小型文創展覽空間的發展模式，以提供此類文創業者在空間規劃的參考依據。
本研究分為三個階段進行：第一階段將從舊建築與閒置空間出發，探討其概念、社會意涵與現今的發展方向，另外整理國內外對於展覽空間構成與展示設計等基本要項，以及文化創意產業與展覽空間發展之國內政策與民間走向，並收集美學經濟相關討論，作為理論基礎；第二階段再對國內小型文創展覽空間成功案例進行田野調查，比較分析出其成功特質；第三階段將其運用於青田十六空間作為創作實驗，並以此實驗結果提供給予校方或各界，作為欲利用閒置舊建築去開發作為小型展覽空間之參考依據。
最後於研究結論提出，在學術方面針對對於小型展覽空間設計與開發之研究，應多給予鼓勵；在政府政策與文創產業部份，宜多朝向小而美的展場環境推廣開發鋪陳，期盼在不久的未來，我們能夠在大街小巷隨處發現文化內涵、欣賞創意設計、實踐美學精神。
The development of culture creative industry is to combine creative art work with local culture and add the era background in order to get closer to people’s heart by displaying the creative art work in the unused space and old buildings.. This will make the products have more affinity and attraction with historical meaning. The reality of promotion for culture creative exhibition in Taiwan tends to be big scale and private management from the government. It is hard to provide a place for new generation of designers or future designers to exhibit and show their ability for this industry. Due to this reason, most of them can only work as a lowly employees or switch to other industry. Thus the purpose of this research is to explore the development of small size culture creative exhibition and provide a model for space design as a reference in this industry. There are 3 stages of this research: the 1st stage is to explore the concept and meaning of the society for development started from old buildings and unused space. Moreover, organize the basic condition of exhibition space structure in domestic and oversea countries. On top of that, collect the theory of aesthetic economy for debate. The 2nd stage is the research of field research based on successful cases for small size of culture creative exhibition in Taiwan in order to analyze the successful points. The 3rd stage is to utilize Qingtian Sixteen as an experiment for creation to provide to schools or other industries as s reference for small size exhibition base on unused old buildings. Lastly, to make more rewarding small size exhibition designs academically in terms of research and development and promote small and delicate display environment from the government is necessary. I hope in the near future there will be a lot of creative designs and aesthetics spirit can be found everywhere on the streets where we live.
The development of culture creative industry is to combine creative art work with local culture and add the era background in order to get closer to people’s heart by displaying the creative art work in the unused space and old buildings.. This will make the products have more affinity and attraction with historical meaning. The reality of promotion for culture creative exhibition in Taiwan tends to be big scale and private management from the government. It is hard to provide a place for new generation of designers or future designers to exhibit and show their ability for this industry. Due to this reason, most of them can only work as a lowly employees or switch to other industry. Thus the purpose of this research is to explore the development of small size culture creative exhibition and provide a model for space design as a reference in this industry. There are 3 stages of this research: the 1st stage is to explore the concept and meaning of the society for development started from old buildings and unused space. Moreover, organize the basic condition of exhibition space structure in domestic and oversea countries. On top of that, collect the theory of aesthetic economy for debate. The 2nd stage is the research of field research based on successful cases for small size of culture creative exhibition in Taiwan in order to analyze the successful points. The 3rd stage is to utilize Qingtian Sixteen as an experiment for creation to provide to schools or other industries as s reference for small size exhibition base on unused old buildings. Lastly, to make more rewarding small size exhibition designs academically in terms of research and development and promote small and delicate display environment from the government is necessary. I hope in the near future there will be a lot of creative designs and aesthetics spirit can be found everywhere on the streets where we live.
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舊建築再利用, 閒置空間再利用, 展覽空間, 展示設計, 文化創意產業, 文創美學經濟, Reutilization of old buildings, Reutilization of unused space, exhibition space, display design, cultural creative industry, cultural creative aesthetics economy